Scharoun Ensemble

Founded in 1983 by members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble is one of Germany’s leading chamber-music organizations. With its wide repertoire, ranging from composers of the Baroque period by way of Classical and Romantic chamber music to contemporary works, the Scharoun Ensemble has been inspiring audiences in Europe and overseas for more than a quarter of a century. Innovative programming, a refined tonal culture and spirited interpretations are hallmarks of the ensemble, which performs in a variety of instrumental combinations.

The permanent core of the Scharoun Ensemble is a classical octet (clarinet, bassoon, horn, two violins, viola, cello and double bass), made up of members of the Berlin Philharmonic except from Wolfram Brandl, who is first concertmaster of the Staatskapelle Berlin and Claudio Bohorquez, internationally performing solo- and chamber music-cellist.

VIDEO

PRESS

“Unabashedly youthful: in the spirit of their namesake, these musicians combine tradition and modernity.”

Tagesspiegel Berlin, 2023

„… Thus the composer bows to the last two founding members of the Scharoun Ensemble.“

nmz, 2023

“For over thirty years, the name Scharoun-Ensemble Berlin has stood for chamber music precision – and curiosity.”

rbbkultur, 2015

A SELECTION OF PROJECTS 2025/26

Dates upon request
L’HISTOIRE DU SOLDAT / THE CARNIVAL OF ANIMALS
Nina Hoss, speaker // Lucas and Arthur Jussen, piano tbc.

Igor Strawinsky: “L’Histoire du Soldat”
Camille Saint-Saëns: “The Carnival of Animals”

Nina Hoss © Franziska Sinn

Dates upon request
VOCAL PROGRAMM
Christiane Karg, soprano

Alban Berg: “Seven Early Songs” for soprano and small orchestra (arrang. by R. de Leeuw)
Brett Dean: “Ich lausche und ich höre” for soprano and octet
Sofia Gubaidulina: Hommage à T.S. Elliot for soprano and octet
Gustav Mahler: “Lieder eines fahrenden Gesellen” for chamber orchestra (arrang. by A. Schoenberg)

Christiane Karg © Gisela Schenker

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Freigeist Ensemble

Freigeist Ensemble is a courageous collective of supersonic soloists from German symphony orchestras that repackages super symphonic music for new audiences.

Often commissioning world premiere arrangements for innovative late-night projects, its mission is to revolutionise the style, sound and setting of classical concerts. This began in 2010 with “mini-Mahler” at Berlin’s Philharmonie Kammermusiksaal, followed by “Strauss 150: New Perspectives” at STATTBAD Berlin, “From Russia with Soul” at Griessmühle Berlin and “Bartók Beyond Borders” at Musikbrauerei Berlin.

Joolz Gale founded Freigeist Ensemble to build upon his vision to reach new audiences though new concert formats and alternative locations. Projects often include newly commissioned arrangements for ensemble by Joolz Gale himself (incl. Strauss’ Ein Heldenleben, Suite from Der Rosenkavalier, Bartók’s Dance Suite, Debussy’s La Mer, Bruckner’s 9th, Prokofiev’s 5th and Shostakovich’s 9th & 10th Symphonies), for which he is represented and published by Schott, Sikorski and Boosey & Hawkes.

Remaining plans for 2022 include a return of “Bartók Beyond Borders” on tour as well as Mahler’s 3rd, Debussy’s Images and Bruckner’s 8th, all newly arranged by the ensemble’s artistic director, Joolz Gale.

VIDEO

PRESS

“An ideal case of closeness.”

Tagesspiegel Berlin, 4 August 2021

„The new great things are small… mini is irresistible..“

Tagesspiegel Berlin, 31 July 2021

SELECTION OF PROJECTS 2025/26

Availability upon request
GURRELIEDER – Anniversary 150th years Schoenberg
with Joolz Gale, direction // Narrator and soloist TBC // Freigeist choir

Schoenberg’s Gurrelieder was originally composed 1900-1913 for one of the largest ensembles (with 400 people on stage) including 6 soloists, 4 male choirs and large mixed choir. However, in 1921, Schoenberg also arranged “Lied der Waldtaube” for just 17 musicians, performing it in Vienna at Society for Private Musical Performances. In celebration of Schoenberg’s 150th anniversary in 2024, Joolz Gale will “complete” the Gurrelieder for this same ensemble instrumentation (known as “Schoenberg-Besetzung), but with an additional chamber choir and the original cast of soloists. With a total of only 35 artists on stage, this fascinating world premiere project thus adds intimate new light on one of classical music’s grandest works.

A. Schoenberg: Gurrelieder, arr. by Joolz Gale *Premiere*

Availability upon request
BRUCKNER 6, 7, 8, 9 – 2024 200th anniversary of Anton Bruckner
with Joolz Gale, direction

A. Bruckner:
Symphony No. 6 in A major WAB 106, arr. Gale *Premiere*
Symphony No. 7 E major WAB 107, arr. Gale *premiere*
Synphony No. 8 C minor WAB 108, arr. Gale
Symphony No. 9 in D minor WAB 109, arr. Gale

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Stegreif – The Improvising Symphony Orchestra

Without notes – without conductor – without chairs: Stegreif shows new ways of what a contemporary orchestra can look like today. In radical recompositions, the international musicians combine symphonic music with improvisation and influences from other genres and involve the audience in original spatial concepts. With these innovative concert formats, the young ensemble inspires a growing audience of different target groups.

Since the orchestra was founded in 2015, at least one new concert programme has been developed every year: #freebeethoven, #freeschubert, #freebrahms, #free∃roica, #bfree, #freemahler, #explore_mozart, #explorefreischütz, #bechange. In addition, co-productions have been realised with the Deutsches Symphonie-Orchester Berlin and the young North German Philharmonic Orchestra (TRIKESTRA), among others. Stegreif has performed concerts renowned stages such as the Berlin Philharmonic, the Konzerthaus Berlin, the Elbphilharmonie the Elbphilharmonie Hamburg, the Alte Oper Frankfurt, the Brucknerhaus Linz, the Radialsystem Berlin, the Beethovenfest Bonn or the Prinzregententheater Munich as well as at alternative alternative festivals such as FUSION, Detect Classic, PODIUM Esslingen, the Düsseldorf Festival or the Oranjewoud Festival (NL).

VIDEO

PRESS

„Es gab tosenden Trampel-Applaus und stehende Ovationen für diese grandiose Performance eines Ensemble, das „geliefert“ hatte.“

Reinhard Frank auf shz.de, 24.07.2022

„Ist gelungen! Bravo!“

Angelika Silberbach in der Mainpost, 19.07.2022

„Selten ist die Leidenschaft für Musik, die Virtuosität der einzelnen Stücke so nah erlebbar“

Ulrike Gerner in der taz, 12.10.2019

SELECTION OF PROJECTS 2024/25

Dates available upon request
#IMPROPHONIE
A symphony from the moment

How can music emerge in the moment and in contact with the audience? Where do improvisation and composition meet? Can even an entire symphony be improvised?
Groove – movement – eye contact. The aim of #improphonie is to capture the magic of collective, free improvisation in its spontaneity and to give it a space as an independent work. space as an independent work. The individual strengths of the musicians become the driving energy and communication the actual composer. communication becomes the actual composer.

Artistic direction: Juri de Marco, Lorenz Blaumer
Concept, composition, musical direction: Bertram Burkert
Direction, choreography and conception: Lea Hladka
Costume and stage: Anja Kreher

Duration: approx 70 min

“The most striking overall impression was the atmosphere: away from the spectacular, theatral, merely entertaining, towards mindfulness, humility and appreciation.”

FAZ, 27 September 2022

Dates available upon request
symphony of change –
Final production of the project #bechange – 17 sounds of sustainability

In the symphony of change, Stegreif asks what this change sounds like. The musical arc is spanned from Hildegard von Bingen (1098-1179), Wilhelmine von Bayreuth (1709- 1785), Emilie Mayer (1812-1883) to Clara Schumann (1819-1896). Music history is revealed and rewritten when selected works by these historical composers are recomposed by five young and female ensemble members of the Stegreif Orchester and placed in a new context.

Premiere: planned for August 2023
Cast: 24 musicians
Artistic direction: Juri de Marco / Lorenz Blaumer
Recomposition/Arrangement: Nina Kazourian, Tabea Schrenk, Julia Bilat, Helena Weinstock-Montag, Franziska Aller
Co-Artistic Direction Composition: Alistair Duncan
Direction, Choreography: David Fernandez

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Molyvos International Music Festival

The Molyvos International Music Festival (MIMF) was founded in 2015 by the German-Greek pianists Danae and Kiveli Dörken and the young entrepreneur Dimitris Tryfon. Since then, the focus has been on ensuring the high quality of the festival held annually in Lesbos and its year-round musical youth support program “Musical Key”. The aim is to offer classical music on a world-class level for residents and visitors to the island, to promote cross-border cultural cooperation and an intercultural dialogue, as well as to support the development of the region as a cultural center with specially designed mediation and inclusion measures.

MIMF unites young musicians from all over the world and world stars of classical music to exclusive chamber music ensembles. The central venue is the medieval castle of Molyvos, in addition, there will be pre-festival activities with free entrances on the two islands Lesbos and Chios, short special concerts (“Molyvos Musical Moments”) in public places on Molyvos and a moderated children’s concert followed by a meeting between audience and the artist. Every year, the program deals with a topic that reflects the rich Greek culture and puts it in a current context; In 2020, the motto “Odyssey” illuminates the subject of flight and migration. A deeper engagement with it takes place in the context of a public symposium. Since 2018, the Tryfon Arts Residency has been part of the interdisciplinary festival.

The Molyvos International Music Festival (MIMF) 2023 is entitled “Symbiosis”. On the Greek island of Lesbos from 11 to 19 August 2023, Danae and Kiveli Dörken will perform four main concerts (as well as “opening acts”) with selected chamber music colleagues on the theme of the absolute necessity of a new, harmonious and respectful interaction between man and nature.

In addition to Danae and Kiveli Dörken, Antje Weithaas, Kirill Troussov, Tobias Feldmann and Noé Inui (violin), Lech Uszynski and Muriel Razavi (viola), Isang Enders and Benedict Klöckner (cello), David Orlowsky (clarinet) and soprano Danae Kontora will perform.

VIDEO

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Aga Khan Music Programme

Aga Khan Music Programme was established by Karim Aga Khan with the aim of supporting outstanding musicians and music teachers in preserving and communicating their musical heritage, developing it in contemporary forms and disseminating it worldwide through concerts and recordings. The programme initiates and implements country-specific action programmes to support the revitalisation and preservation of cultural heritage. Under this premise, special programme series in which outstanding renowned artists present new compositions, improvisations and arrangements of a repertoire strongly inspired by the respective tradition are developed, among other things. The programmes always represent artistic encounters between time-honoured traditions and contemporary forms, as a new generation of top-class musicians further develops and varies old musical traditions. The encounter of different cultures thus gives rise to a unique musical creativity.

The Aga Khan Music Programme strives with top-class musicians from the Near and Far East, Africa and the countries of the former Soviet Union to preserve the rich and varied heritage of classical music traditions from around the world and introduce them in Europe. From 15th to 17th February 2019, the Aga Khan Music Programme visited Germany for the first time, presenting the multi-faceted classical music of the Silk Road in four concerts at the Konzerthaus Dortmund, including a school concert. Renowned musicians, such as the Chinese pipa player Wu Ma, the Syrian composer and musician Basel Rajoub or Dutar and tanbur player Sirojiddin Juraev, combined music traditions of their countries with improvisation and borrowings from the Western jazz tradition in their performances. The multimedia concert Qyrq Qyz – Forty Girls reflected both musically and figuratively a centuries-old saga of Central Asia that could possibly change the Western view of women’s images of the East.

VIDEO

PRESS

„Es ist nachhaltig beeindruckend zu sehen, welch schwindelerregend intellektuelle Leistungen klassischen Musikern in der Türkei, in Thailand und Java abverlangt werden.”

Michael Church, Old and New Music from the Ends of the Silk Route, 2016, 2

„Ein musikalisch hoch eindrucksvoller Abend, nicht zuletzt, um sich über das Fremde im Anderen und im eigenen Wesen klarzuwerden”

Eva-Maria Reuther im Volksfreund, 12.08.2019

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La Folia Barockorchester

La Folia – this term of the baroque era focusses on wildness, fury, jollity and generally on an artistic attitude of liberality and excessive creativity.

Since their foundation in 2007 the La Folia Barockorchester vitalises on period instruments the international music scene. Whether in a chamber music instrumentation or with baroque opulence, whether with instrumental music or together with vocal soloist – the aspiring young orchestra under the direction of the violinist Robin Peter Müller stands for energetic and overwhelming interpretations of the music from the 17th and 18th century. Historically informed the musicians are looking for opportunities to transfer the emotions and contents of the past centuries into contemporary interpretations which have thrilled both audience and critics alike.

The ensemble cooperates regularly with renowned instrumentalists and singers like Hille Perl, the Vienna Boys’ Choir, Regula Mühlemann, Mahan Esfahani and Jan Vogler, Dorothee Oberlinger, Dorothee Mields, Anna Prohaska, Maurice Steger and Stefan Temmingh.

Founder and director Robin Peter Müller, born in Dresden, is one of the most sought-after musicians of his generation performing on period as well as on modern violin.Within a short period he led La Folia Barockorchestra to international reputation.

VIDEO

PRESS

„Standing Ovations für einen überragenden Countertenor mit einem erlesenen Orchester und für ein spannendes, die interpretatorischen Grenzen durchaus tangierendes Programm.“

Die Nordwest-Zeitung, 31.08.2019

„Ein wunderbarer Abend mit Riesenbeifall.“

Weser Kurier, 22.09.2019

SELECTION OF PROJECTS (2024/25)

Easter 2025
Jesus and Pontius Pilatus: Passion Programme
with Anna Lucia Richter, mezzo-soprano

Pontius Pilatus suffers from headaches and the pressures of his office, yet longs for nothing more than recognition. He is a complex and contradictory figure in Mikhail Bulgakov’s epoch-making novel The Master and Margarita. The Passion from the point of view of the Roman governor in Judea allows a different view of the last stages of Jesus’ suffering. For example, when Pilate asks the question also found in the Bible: “What is truth?”, but, unlike there, he hears Jesus’ answer: “The truth is above all that your head hurts. You dream that your dog is coming, apparently the only being you are attached to. But your torment will be over in a moment, your headache will pass away.”

Passion compositions by A. Caldara, J. S. Bach, H. Purcell and A. Vivaldi and others.
Excerpts from the novel “The Master and Margarita” by Mikhail Bulgakov

Anna Lucia Richter © Kaupo Kikkas

Dates available upon request
Bassoon!
with Sophie Dervaux, baroque bassoon

With works by Georg Philipp Telemann, Antonio Vivaldi & Francesco Geminiani

Sophie Dervaux, Bassoon and Conductor Photo: Marco Borggreve

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PAST CONCERTS – A SELECTION


8 Sep 2022
Wigmore Hall London
Robin Peter Müller, direction & violin / Carolyn Sampson, soprano

Cleopatra
with works by Carl Heinrich Graun, Giovanni Legrenzi, Antonio Vivaldi, Alessandro Scarlatti, etc.


16 Sep 2021
Lausitz Festival
Robin Peter Müller, direction & violin / Elisabeth Breuer, soprano / Tim Mead, countertenor

G.-B. Pergolesi: Stabat Mater f-Moll, P.77
J.-S. Bach: Kantate »Tilge, Höchster, meine Sünden«, BWV 1083


10 Sep 2021
Harbour Front Literaturfestival, Elbphilharmonie Hamburg
Robin Peter Müller, direction & violin / Anna Prohaska, soprano / Carolin Emcke, text

Anna Prohaska and the La Folia Barockorchester provided musical answers to questions between love and loss from eight centuries. Together, the author and the musicians celebrated “Celebration of Life in Death” on that evening at HARBOUR FRONT SOUNDS and gave expression to hope and grief in times of pandemic.

Dr. Carolin Emcke © Andreas Labes


6 + 27 Aug 2019
Festwochen Innsbruck, Musikfest Bremen
Robin Peter Müller, direction & violin / Bejun Mehta, countertenor

G. F. Händel: Ouverture, March and Arias of Cesare from the opera “Giulio Cesare in Egitto” HWV 17

Bejun Mehta © Marco-Borggreve

Il Giardino Armonico

Il Giardino Armonico, founded in 1985 and conducted by Giovanni Antonini, has long established itself as one of the world’s leading period instrument ensembles, bringing together musicians from some of the most important music institutions in Europe. The repertoire of the ensemble focuses mainly on works of the 17th and 18th centuries. Depending on the requirements of the program, the ensemble consists of three to 30 instrumentalists.

Il Giardino Armonico is regularly invited to festivals all over the world, performing in the most important concert halls, and received the highest acclaim for both their concerts and their staged opera productions, like Monteverdi’s Orfeo, Händel’s Agrippina, Il Trionfo del Tempo del Disinganno and La Resurrezione, Vivaldi’s Ottone in Villa, as well as Handel’s opera Giulio Cesare in Egitto at the Salzburger Festspiele and Pfingstfestival in 2012.

Il Giardino Armonico is regularly invited to festivals all over the world, performing in the most important concert halls, and received the highest acclaim for both their concerts and their staged opera productions, like Monteverdi’s Orfeo, Händel’s Agrippina, Il Trionfo del Tempo del Disinganno and La Resurrezione, Vivaldi’s Ottone in Villa, as well as Handel’s opera Giulio Cesare in Egitto at the Salzburger Festspiele and Pfingstfestival in 2012.

The most recent projects include the recording of Haydn’s The Creation in collaboration with the Bavarian Radio Chorus, published by Alpha Classic in October 2020.

VIDEO

PRESS

„The clarity of the orchestration is made transparent and gleaming by the soloists of Il Giardino Armonico, who also make the most of every joke or surprise.“

The Guardian, 19 JUN 2021

„De la très belle ouvrage.“

Diapason d’Or, APR 2021

„On the basis of this delightful recording I can only hope that at some point during his Haydn journey Antonini will also tackle Haydn’s other great oratorio, The Seasons.“

Presto Music, 09 OCT 2020

PROJECTS 2024/25 – A SELECTION

Availability upon request
with Avi Avital, mandolin

J. Haydn: Overture, Allegro con Espressione from Philemon und Baucis Hob. XXIXa:1
C. W. Gluck: Dance of the Blessed Spirits from Orfeo ed Euridice
J. S. Bach: Concerto for two harpsichords in C minor BWV 1060 (transcription for recorder, mandolin and orchestra: Avi Avital)
J. S. Bach: Harpsichord concerto No. 1 in D minor, BWV 1052 (transcription for recorder, mandolin and orchestra: Avi Avital)
J. N. Hummel: Mandolin Concerto in G major S28
J. Haydn: Symphony No. 43 E flat major Hob. I:43 „Merkur“

Availability upon request
L’ Estro Armonico
with Isabelle Faust, violin

Works from A. Vivaldi’s “L’ Estro Armonico”

Isabelle Faust © Felix Broede


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PAST CONCERTS – A SELECTION


10. + 11. May 2019, Herkulessaal der Residenz, München
13. May 2019, Mozartfest Augsburg
14. May 2019, Konzerthaus Wien
23. June 2019, Soli Deo Gloria – Braunschweig Festival
28. June 2019, Rheingau Musik Festival
Giovanni Antonini, conductor / Anna Lucia Richter, soprano / Maximilian Schmitt, tenor / Florian Boesch, bass baritone / Chor des Bayerischen Rundfunks

J. Haydn: The Creation Hob. XXI:2

14. November 2018, Konzerthaus Berlin
Il Giardino Armonico Giovanni Antonini, conductor / Patricia Kopatchinskaja, violin

Works by A. Vivaldi, L. Francesconi, S. Movio, A. Cattaneo

© Patricia Kopatchinskaja

26. + 7. August 2018
„Serpent & fire“
Giovanni Antonini, conductor / Anna Prohaska, soprano

Freiburger Barockorchester

The Freiburg Baroque Orchestra looks back on a success story lasting almost thirty years and is a popular guest at the most important concert halls and opera houses. A glance at the ensemble’s concert calendar shows a diverse repertoire played at a variety of venues, ranging from the Baroque to the musical present and from Freiburg to the Far East. The Freiburgers’ artistic credo, however, remains unchanged: the creative curiosity of each of them, with the intention of playing a composition in as lively and as expressive a manner as possible.

Under the artistic directorship of Gottfried von der Goltz and Kristian Bezuidenhout, and under the baton of selected conductors, the FBO presents it-self with about one hundred performances per year in a variety of formations from chamber to opera orchestra: a self-administrated ensemble with its own subscription concerts at Freiburg’s Concert Hall, Stuttgart’s Liederhalle, and Berlin’s Philharmonie and with tours all over the world.

Andreas Richter Cultural Consulting represents the Freiburg Baroque Orchestra in Asia, Great Britain, Germany and neighboring countries on request.

VIDEO

PRESS

„Stunningly performed, Tuesday’s night concert from the Freiburg Baroque Orchestra felt like a symbolic act of reconnection to the music.“

The Telegraph, 24. Noveber 2022

„What a wonderful gift for these challenging times!“

Limelight, 13th March 2020

„I doubt that Beethoven, at least recently, has sounded quite so original or so much fun.“

Gramophone, January 2020

SELECTION OF PROJECTS 2024/25

13 – 16 and 18 – 22 December 2024
MOZART PROGRAMME
with Pablo Heras-Casado, direction // Zürcher Sing-Akademie, choir // Kristian
Bezuidenhout, piano // soloists tbc.

Once again, Freiburg Baroque Orchestra and its artistic director Kristian Bezuidenhout, conducted by Pablo Heras-Casado, dedicate themselves to the work of Mozart, who was as born with the courage to take risks as these performers.

W. A. Mozart: Mass in C minor K. 427
W. A. Mozart: Piano Concerto no. 17 in G major K. 453

Pablo Heras-Casado © Dario Acosta

January 2025
IDOMENEO
with René Jacobs, direction // soloists tbc.

Plaything of the gods – Mozart’s Idomeneo explores the ambivalent relationship between people and powers in the most penetrating way. One can look forward to the musical storm that the Freiburg Baroque Orchestra under the direction of René Jacobs is sure to unleash!

W. A. Mozart: Idomeneo, Rè di Creta K 366

René Jacobs © Johannes Berger

25 August – 09 September 2024
BEETHOVEN PROGRAM
with Isabelle Faust, violin // Kristian Bezuidenhout, piano

L. v. Beethoven: Violin Concerto in D major op. 61
L. v. Beethoven: Piano Concerto tbc.

„Their understanding with pianist and each other was outstanding.“

The Sidney Morning Herald, 12. März 2020

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PAST CONCERTS – A SELECTION

13 December 2022, deSingel, Antwerpen
14 December 2022, Chiesa di San Pietro, Perugia
15 December 2022, Basilica di San Vittore, Varese
16 December 2022, Franziskaner Konzerthaus, Villingen
18 December 2022, Kölner Philharmonie
19 December 2022, Kammermusiksaal der Philharmonie, Berlin
21 December 2022, Kultur- und Kongresszentrum Liederhalle, Stuttgart
22 December 2022, Konzerthaus Freiburg

MAGNIFICAT
Freiburg Baroque Orchestra / Vox Luminis / Lionel Meunier, bass & leader
J. S. Bach: Magnificat in E-flat major BWV 243A / J. Kuhnau: Uns ist ein Kind geboren BWV 142, Magnificat in C major

****

bachtrack, 19 December 2022

28 April 2022, Konzerthaus Freiburg
30 April 2022, Staatstheater Wiesbaden
03 May 2022, Kölner Philharmonie
04 May 2022, Elbphilharmonie Hamburg

FREISCHÜTZ
Polina Pasztircsák, soprano – Agathe / Kateryna Kasper, soprano – Ännchen / Maximilian Schmitt, tenor – Max / Dimitry Ivashchenko, bass – Kaspar / Christian Immler, bass – Eremit / Max Urlacher, speaker – Samiel / Zürcher Sing-Akademie / Freiburger Barockorchester / René Jacobs, conductor
C. M. von Weber: Der Freischütz

 
 
 
 
 
 

“Great hit on the bull’s eye!

Hamburger Abendblatt, 06 May 2022

“Concertante always also means theatrical with René Jacobs.”

Badische Zeitung, 30 April 2022

10 March 2020, Melbourne Recital Center
Gottfried von der Goltz, leader & violin / Kris Bezuidenhout, piano
L. v. Beethoven: Piano Concert no. 1 in C major op. 15 / Piano Concerto no. 2 in B flat major op. 19 / Piano Concerto no. 3 in C minor op. 37

11 March 2020, Melbourne Recital Center
Gottfried von der Goltz, leader & violin / Kris Bezuidenhout, piano
L. v. Beethoven: Ouverture Die Geschöpfe des Prometheus op.43 / Piano Concerto no. 4 in G major op. 58 / Ouverture Coriolan op. 62, Piano Concerto no. 5 in E flat major op. 73

© Melbourne Recital Center

27 November 2018, Elbphilharmonie
HIPPOLYTE ET ARICIE
Sir Simon Rattle, Conductor / Aletta Collins, Director, Choreography / Ólafur Elíasson, Stage, Light Design, Costumes / Anna Prohaska, Aricie / Reinoud van Mechelen, Hippolyte / Magdalena Kozená, Phèdre / Gyula Orendt, Thésée / Elsa Dreisig, Diane / Staatsopernchor
J.-P. Rameau: Hippolyte et Aricie

© Thies Rätzke Images


Finnish Baroque Orchestra

Founded in 1989, the Finnish Baroque Orchestra (FiBO) has been a pioneer in many ways throughout its history. The orchestra is known in Finland and abroad for its skilful performances, its creative approach to concert programming and groundbreaking partnerships, such as the Nordic Baroque Scene. At the core FiBO is a Baroque orchestra, but they also venture into early Baroque and Romanticism as well as Sibelius’ works and new music for period instruments. In addition to its own FiBO Records series, FiBO has made recordings with several record labels. The latest record, Il labirinto armonico (BIS), featuring Locatelli’s violin concerts with soloist Ilya Gringolts, has received significant international recognition such as Gramophone Editor’s Choice (3/2021) and Diapason d’or (5/2021).  

VIDEO

PRESS

„From the opening track onwards, elegant playing launches a programme rich in charm from Ilya Gringolts and the Finnish Baroque Orchestra, all on sparkling form.“

Gramophone Magazin, 19.02.2021

„Sharp-edged playing from the Finnish Baroque Orchestra.”

The Guardian, 27.01.2019

SELECTION OF PROJECTS (2024/25)

Dates available upon request
THE BIRTH OF THE WORLD – Early Baroque and Finnish folk music
Virpi Räisänen, mezzo soprano / Taito Hoffrén, runensong

Works by Claudio Monteverdi, Enríquez de Valderrábano, Tarquinio Merula etc.

Virpi Räisänen © Jukka Lehtinen

Dates available upon request
EROS
with Marianna Henriksson, harpsichord & musical direction // Anna Mustonen, Choreography

Eight musicians of the Finnish Baroque Orchestra, five dancers and five singers reach towards each other in this performance, forming versatile constellations of erotic desire. The performance is loosely based on the essay Eros the Bittersweet by Anne Carson.

Works by Biagio Marini, Claudio Monteverdi, Giovanni Felice Sances & Barbara Strozzi.

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PAST CONCERTS – A SELECTION

19 August 2022, Elbphilharmonie Hamburg
„Water Music“
G. F. Händel: Suite no. 2 in D major HWV 349 »Water Music«
G. F. Händel: Suite no. 1 in F major HWV 348 »Water Music«
G. F. Händel: Suite no. 3 in G major HWV 350 »Water Music«
G. F. Händel: Music for the Royal Fireworks HWV 351
As well as Finnish traditional works by Viljami Niittykoski

© Finnish Baroque Orchestra

19 August 2019, Brühler Schlosskonzerte
„From Russia with love“
Irma Niskanen, leader & violin / Petteri Pitko, cembalo

Works by G. Pasiello, D. Cimarosa, J. Haydn and B. Galuppi: Concerto a quattro

© Brühler Schlosskonzerte

21 July 2019, Herrenchiemsee Festspiele
Dancing Queen“
Kajsa Dahlbäck, soprano / Olga Heikkilä, soprano / Katariina Heikkilä, alto / Jukka Jokitalo, tenor / Juha-Pekka Mitjonen, basso

Works by A. Scarlatti, A. Corelli, G. Düben, J. H. Schmelzer, C. Gesualdo, V. Albrici, A. Cesti a.o.