Sebastião Salgado & Simone Menezes: AMAZÔNIA

A project by Simone Menezes with photos by Sebastião Salgado  

Sebastião Salgado, world-renowned photographer and winner of the Peace Prize of the German Book Trade, has impressively documented over decades how closely the beauty and fragility of our planet are linked. His focus on the Amazon rainforest in particular shows the unrivalled natural power of this habitat, but also the threats to which it is exposed. Together with the Italian-Brazilian conductor Simone Menezes, Salgado has created an extraordinary project that combines his moving photographs with the music of his Brazilian compatriot Heitor Villa-Lobos.

Salgado had just published his exhibition Amazonia, while Menezes was working on Villa-Lobos’ Floresta do Amazonas. She created a 45-minute suite for orchestra and soprano, for which Salgado selected over 200 photographs inspired by Villa-Lobos. The concert also includes Bachianas Brasileiras 4 and Philip Glass‘ Aguas da Amazonia, creating an extraordinary event with Salgado’s images and Villa-Lobos’ music.

Since then, the concerto has been programmed and performed with great success by more than 12 orchestras around the world: Barbican Centre, Santa Cecilia Orchestra, Zurich Philharmonic, Orchestre National de Bordeaux, Orquesta Nacional de España and many others. It will also be performed in 2024 by Orchestre Philharmonique du Luxembourg, Liceo Barcelona and the hr-Sinfonieorchester. The concert was recorded live and has been released on CD by the Alpha label in 2023.

This concert, whose dramaturgy centres on the beauty and fragility of the Amazon rainforest, is more than just a performance. It is an appeal to humanity to protect our environment and a tribute to the unspoilt landscapes that Salgado has been photographing for decades.

Sebastião Salgado

Sebastião Salgado was a Brazilian photographer who was born in Minas Gerais, Brazil, in 1944. He began his career in Paris in 1973 and worked as a professional photographer for photo agencies until 1994, when he and his wife Lélia Wanick Salgado founded the agency Amazonas Images, which focuses exclusively on his work.

Salgado has travelled to more than 100 countries for his photo projects. His work has been published in numerous magazines and books, including Other Americas (1986), Sahel: L’homme en détresse (1986), Sahel: el fin del camino (1988), An Uncertain Grace (1990), Workers (1993), Terra (1997), Migrations and Portraits (2000), Africa (2007), Genesis (2013), The Scent of a Dream (2015), Kuwait, a Desert on Fire (2016) and Gold, Serra Pelada Gold Mine (2019). Lélia Wanick Salgado conceived, designed and edited each of his books and curated most of the travelling exhibitions of his work that have been shown in museums and galleries worldwide.

Sebastião Salgado passed away unexpectedly in May 2025. Our deepest condolences go out to his family, his friends, and the artists connected to him.

Simone Menezes

Italian-Brazilian conductor Simone Menezes is a visionary musician renowned for her creativity and innovative spirit, whether as founder and artistic director of Ensemble K, or as guest conductor with the world’s leading orchestras. Simone Menezes has conducted orchestras such as the Los Angeles Philharmonic, Zurich Philharmonia, London Philharmonia, Orchestre de Chambre de Paris, Rundfunk-Sinfonieorchester Berlin, Orchestra Santa Cecilia, the Britten Sinfonia, São Paulo Orchestra, Spanish National Orchestra, Osaka Symphony Orchestra, as well as at the Philharmonie de Paris. She has recorded three albums and premiered over 20 works.

Our offer:

We offer a unique concert project, ideal for orchestras and event organisers seeking artistic excellence. The package includes:

– the acclaimed conductor Simone Menezes,
– the outstanding soprano Camila Titinger,
– as well as exclusive photo rights to include his Amazônia series.

VIDEO

AUDIO

PRESS

‘[The concert] created an attentive atmosphere […] that emphatically raised awareness of the threat to the tropical rainforest around the world’s most water-rich river, including its indigenous population and its rich biodiversity. [The opening of the festival […] showed the relevance and topicality that a classical concert programme can have.’

Frankfurter Allgemeine Zeitung, 21.09.2024

‘The opening with the German premiere of ‘Floresta do Amazonas’ by the Brazilian composer Heitor Villa-Lobos under the rousing direction of the Brazilian conductor Simone Menezes was an experience in a class of its own.’

Feuilleton Frankfurt, 22.09.2024

“Striking beauty, gentle evocation and romantic lushness, provided indelible memories, […] vivid, tight performances from Menezes.”

The Guardian

DOWNLOADS

Babylon ORCHESTRA

Babylon ORCHESTRA, founded in 2016, is a Berlin-based urban fusion ensemble that combines European and Middle Eastern music with the sound of a big band and contemporary orchestra. Our aim is to promote intercultural artistic cooperation and thus to give different musical traditions and cultures a place in a new shared and unique sound world of the present. We bring people with their stories, songs, instruments, rhythms in the hope of providing creative impulses for new musical works.

By combining and juxtaposing classical and traditional instruments, such as oud and guitar, ney and flute, kamanche and violin, or other exciting combinations, we also aim to foster a deeper understanding of non-European cultures.

The orchestra also sees itself as a platform for exceptional musicians who do not want to squeeze their art into classical or popular musical forms and instead want to find an expression for the specificity of their countries of origin.

In 2021, the ensemble performed with the Rundfunksinfonieorchester Berlin, the Dortmund Philharmonic Orchestra, at the Office of the German Federal President, the Konzerthaus Berlin and the ODEON Göppingen, among others. In 2022, the ensemble performs in Greece and at several German festivals, releases an EP and makes its debut in Switzerland.

VIDEO

PRESS

“This is where the happy pigeonholing fails.”

concerti, 15th of November 2021

“A fascinating fusion concert that breaks all musical expectations as well as the fourth wall.”

Tagesspiegel Berlin, 18th of June 2019

“Babylon Orchestra is the wonder of world music.”

Berliner Kurier, 22th of November 2018

SELECTION OF PROJECTS 2026/27

Dates upon request
ECHOES OF THE MEDITERANEAN
Rebal Alkhodari, counter tenor (SYR) / Momo Djender, tenor (ALG/FRA) / Stelina Apotolopoulpou, soprano (GRC) / Basma Jabr, alto (SYR/AUT) / Babylon ORCHESTRA / Mischa Tangian, violin & musical leader

Echoes of Mediterranean is a project by Babylon ORCHESTRA which presents love songs, ballads, personal stories and newly written vocal pieces based on texts by authors who lived in the countries around the Mediterranean or have a relationship to it. Hence, the listener encounters a performance taking him through the history of the Mediterranean cultures. Two to three singers from Greece, Syria and Turkey and 7 to 16 musicians from various countries of the Middle East and Europe are performing together as a mixed ensemble with traditional and modern instruments. By using combinations of composed and improvised elements, acoustic and electric as well as electronic instruments, the ensemble creates a lively and dramatic, almost scenic performance showcasing the richness of this cultural heritage. Sephardic, Arabic, Turkish and Greek folk songs with new arrangements (like f.e. Smirneiko Minore from 1909 from Smyrna or Morena me liaman from Sephardic Jewish tradition in Spain) make the core of this concert program.

“Vital playing joy of epic passion, fueled by centuries-old music:
pure emotionality, pure presence.”

Ludwigsburger Kreiszeitung, 15. Mai 2023

Dates upon request
BABYLON ORCHESTRA FEAT. NESRINE
Nesrine Belmokh, cello and voice / Babylon ORCHESTRA / Mischa Tangian, violin & musical leader

Together with cellist-singer Nesrine who combines French, Arabic and English songs in her own music fusing Maghreb styles with Jazz and classical cello, the BABYLON ORCHESTRA perform a program ranging from traditional Algerian, Moroccan and other North African styles alongside new arrangements of classical works from Renaissance and oral tradition.

Nesrine Belmokh © Alex Baker

“Can stories be so captivating that you just want to keep listening? In the case of the Franco-Algerian musician Nesrine, that might well be true.”

NDR Kultur, 7 November 2024

Availability on request
COOPERATION WITH SYMPHONY ORCHESTRA

Programme example:
Johann Sebastian Bach: Suite No. 3 in C major, BWV 1009, Bourrée I and II
Heitor Villa-Lobos: Bachianas Brasileiras No. 9 for string orchestra, W 449
Ludwig van Beethoven: Leonoren Ouverture No. 3, Op. 72b
Babylon/Hani Mojtahedy: Improvisation
Antonín Dvorak: Symphony No. 9 in E minor, Op. 95, B. 178, 2d movement “Largo” Mischa Tangian: The forgotten
Layale Chaker (Arr. L. Chaker/M. Tangian): Frah el Donniye
Hani Mojtahedy and Mischa Tangian (Arr. M. Tangian): Nour
Osama Abdulrasol: Sumerian harp
Isaac Albeniz (Arr. M. Tangian): Suite Española No. 5 “Asturias”
César Guerra-Peixe (Arr. M. Tangian): Mourão
Hermeto Pascoal (Arr. M. Tangian): O Ovo
Johann Sebastian Bach (Arr. M. Tangian): Flute Sonata in E-Flat major, BWV 1031: II, Siciliano
Charbel Rohana (Arr. M. Tangian): Sama’i Bayati

Excerpt from the concert of October 14, 2021 / Mensch – Musik – Über Brücken / Babylon Orchestra with the RSB

DOWNLOADS

PAST CONCERTS – A SELECTION

27 & 28 October 2024, Staatsoper Stuttgart / Liederhalle
THE ORDER OF TIME
Roshanak Rafani, percussion / Babylon ORCHESTRA & Staatsorchester Stuttgart / Tianyi Lu, conductor

Founder and artistic director, Mischa Tangian, has written a work for orchestra and percussion for the Staatsorchester Stuttgart, which was premiered in Stuttgart at the end of October 2024. The work, entitled The Order of Time, centers on the encounter between European and non-European musical cultures and their instruments. The soloist for the evening was Iranian percussionist Roshanak Rafani, conducted by Tianyi Lu.

Works by G. Kancheli, M. Tangian (world premiere) & A. Dvořák

Babylon ORCHESTRA © Marc Schmuck
 
 
Babylon ORCHESTRA © Marc Schmuck

“It doesn’t get more varied than this.”

Stuttgarter Zeitung, 29 October 2024

“Asian music and European sounds blended with an expressive musical language.”

Onnline Merker, 27 October 2024

14 August 2023, Berlin
WASSERMUSIK AUF DER SPREE
Babylon ORCHESTRA / Mischa Tangian, violin & leader

As part of Berlin’s Summer Festival of Culture 2023, Babylon ORCHESTRA and Sarahbanda, founded by Sarah Willis, set sail on two rafts and immerse the audience on the shores between Holzmarkt 25 and Funkhaus Berlin in rousing Mediterranean, Middle Eastern and Caribbean worlds of sound. They dropped anchor at the landing stages Mercedes Benz Arena/East Side Gallery and Funkhaus Berlin on Nalepastrasse. The ensembles played half-hour concerts at both stops, two at the East Side Gallery and one at the Funkhaus.

Wassermusik auf der Spree © Markus Werner
Babylon ORCHESTRA © Markus Werner
Babylon ORCHESTRA © Markus Werner
Wassermusik auf der Spree © Markus Werner

Aga Khan Music Programme

Aga Khan Music Programme was established by Karim Aga Khan with the aim of supporting outstanding musicians and music teachers in preserving and communicating their musical heritage, developing it in contemporary forms and disseminating it worldwide through concerts and recordings. The programme initiates and implements country-specific action programmes to support the revitalisation and preservation of cultural heritage. Under this premise, special programme series in which outstanding renowned artists present new compositions, improvisations and arrangements of a repertoire strongly inspired by the respective tradition are developed, among other things. The programmes always represent artistic encounters between time-honoured traditions and contemporary forms, as a new generation of top-class musicians further develops and varies old musical traditions. The encounter of different cultures thus gives rise to a unique musical creativity.

The Aga Khan Music Programme strives with top-class musicians from the Near and Far East, Africa and the countries of the former Soviet Union to preserve the rich and varied heritage of classical music traditions from around the world and introduce them in Europe. From 15th to 17th February 2019, the Aga Khan Music Programme visited Germany for the first time, presenting the multi-faceted classical music of the Silk Road in four concerts at the Konzerthaus Dortmund, including a school concert. Renowned musicians, such as the Chinese pipa player Wu Ma, the Syrian composer and musician Basel Rajoub or Dutar and tanbur player Sirojiddin Juraev, combined music traditions of their countries with improvisation and borrowings from the Western jazz tradition in their performances. The multimedia concert Qyrq Qyz – Forty Girls reflected both musically and figuratively a centuries-old saga of Central Asia that could possibly change the Western view of women’s images of the East.

VIDEO

PRESS

„Es ist nachhaltig beeindruckend zu sehen, welch schwindelerregend intellektuelle Leistungen klassischen Musikern in der Türkei, in Thailand und Java abverlangt werden.”

Michael Church, Old and New Music from the Ends of the Silk Route, 2016, 2

„Ein musikalisch hoch eindrucksvoller Abend, nicht zuletzt, um sich über das Fremde im Anderen und im eigenen Wesen klarzuwerden”

Eva-Maria Reuther im Volksfreund, 12.08.2019

DOWNLOADS

PAST PROJECTS – A SELECTION

15. – 17. Februar 2019, Konzerthaus Dortmund
TIME ISLAND – TRADITION AND REINVENTION

From February 15 to 17, 2019, artists from the Aga Khan Music Programme performed in Germany for the first time. At the Konzerthaus Dortmund, they presented four concerts—including a school concert—showcasing the richly diverse classical music of the Silk Road.

NEW MUSIC FROM BOTH ENDS OF THE SILK ROAD
Wu Man, pipa / Basel Rajoub, saxophone, duclar / Sirojiddin Juraev, dutar, tanbur / Feras Charestan, kanun / Andrea Piccioni, percussion

The vast network of the Silk Road stands not only for vibrant trade but also for a virtuosic instrumental and vocal repertoire. The musicians around pipa player Wu Man aim to ensure that these ancient musical traditions from their homelands are not forgotten. They preserve them as a constant source of orientation, while breathing new life into this heritage through contemporary sonic influences.

QYRQ QYZ – FORTY GIRLS
Raushan Orazbaeva, musical direction, kyl kobiz / Gumisay Berdikhanova, vocals, girjek / Gumshagul Bekturganova, vocals, dutar / Aziza Davronova, vocals, dutar, percussion / Tokzhan Karatai, vocals, kyl kobiz / Makhabat Kobogonova, vocals, kyl-kiyak, choor / Chopo-choor, harp / Arailym Omirbekova, vocals, dombyra / Saltanat Yersultan, vocals, jetigen / Alibek Kabdurakhmanov, percussion, chang / Saodat Ismailova, film and staging / Dmitri Yanov-Yanovsky, composer

Unique within Central Asian heroic epics is the legend of the “Qyrq Qyz”—the forty girls who defended their Turkic tribe against attacks. In a multimedia concert, their story is brought to the stage of the Konzerthaus through film sequences, traditional instruments, and the powerful singing of the female musicians.


“The three-day “Time Island: Sound of the Silk Road” was like a short getaway into a distant, unfamiliar world.”

Ruhrnachrichten, 18 February 2019

11 August 2019, Mosel Musikfestival
NEW MUSIC FROM BOTH ENDS OF THE SILK ROAD
Wu Man, pipa / Feras Charestan, qanun / Sirojiddin Juraev, dutar & tanbur / Basel Rajoub, duclar & soprano saxophone / Abbos Kosimov, doira

With the program New Music from Both Ends of the Silk Road, artists from China, Syria, Uzbekistan, and Tajikistan brought together Western and Eastern, old and new traditions at the Mosel Music Festival 2019, transcending genres and styles. A unique combination of instruments showcased the rich sound spectrum of the Arabic box zither qanun, the Persian long-necked lute tanbur, the Central Asian pipa, and other rare and fascinating instruments.

Aga Khan Music Programme © Sebastian Schutyser