Hamburg Philharmonic State Orchestra

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

In its long history, the orchestra has encountered great artistic personalities such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky. Since the 20th century, chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Hans Zender, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the sound of the Philharmoniker. Kent Nagano has been Hamburg’s General Music Director and Chief Conductor of the Hamburg Philharmonic State Orchestra and the Hamburg State Opera since 2015 and its Honorary Conductor since June 2023.

Ab der Saison 2025/26 folgt Omer Meir Wellber Kent Nagano als neuer Hamburgischer Generalmusikdirektor an der Staatsoper Hamburg und Chefdirigent beim Philharmonischen Staatsorchester. Der 41-jährige zählt international zu den gefragtesten Dirigenten, ist derzeit Music Director des Teatro Massimo Palermo sowie künstlerischer Leiter des Toscanini Festivals. Zudem ist er bis einschließlich August 2027 Musikdirektor der Volksoper Wien.

From the 2025/26 season, Omer Meir Wellber will succeed Kent Nagano as the new Hamburg General Music Director at the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra. The 41-year-old is one of the most sought-after conductors internationally and is currently Music Director of the Teatro Massimo Palermo and Artistic Director of the Toscanini Festival. He is also Music Director of the Vienna Volksoper until August 2027.

VIDEO

PRESS


„On this evening, Nagano and his ensemble synthesise spiritualisation and emotional devotion. Entirely in the spirit of Mahler.”

Hamburger Abendblatt, 01 May 2022

“Many people in the hall stand up during the long-lasting final applause.”

deropernfreund.de, 21 Feb. 2024

„Nagano thus succeeded in creating an interpretation that was never boring and in which even Brahms connoisseurs were able to discover one or two surprises.“

bachtrack, 19 Nov. 2019

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Scharoun Ensemble

Founded in 1983 by members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble is one of Germany’s leading chamber-music organizations. With its wide repertoire, ranging from composers of the Baroque period by way of Classical and Romantic chamber music to contemporary works, the Scharoun Ensemble has been inspiring audiences in Europe and overseas for more than a quarter of a century. Innovative programming, a refined tonal culture and spirited interpretations are hallmarks of the ensemble, which performs in a variety of instrumental combinations.

The permanent core of the Scharoun Ensemble is a classical octet (clarinet, bassoon, horn, two violins, viola, cello and double bass), made up of members of the Berlin Philharmonic except from Wolfram Brandl, who is first concertmaster of the Staatskapelle Berlin and Claudio Bohorquez, internationally performing solo- and chamber music-cellist.

VIDEO

PRESS

“Unabashedly youthful: in the spirit of their namesake, these musicians combine tradition and modernity.”

Tagesspiegel Berlin, 2023

„… Thus the composer bows to the last two founding members of the Scharoun Ensemble.“

nmz, 2023

“For over thirty years, the name Scharoun-Ensemble Berlin has stood for chamber music precision – and curiosity.”

rbbkultur, 2015

A SELECTION OF PROJECTS 2025/26

Dates upon request
L’HISTOIRE DU SOLDAT / THE CARNIVAL OF ANIMALS
Nina Hoss, speaker // Lucas and Arthur Jussen, piano tbc.

Igor Strawinsky: “L’Histoire du Soldat”
Camille Saint-Saëns: “The Carnival of Animals”

Nina Hoss © Franziska Sinn

Dates upon request
VOCAL PROGRAMM
Christiane Karg, soprano

Alban Berg: “Seven Early Songs” for soprano and small orchestra (arrang. by R. de Leeuw)
Brett Dean: “Ich lausche und ich höre” for soprano and octet
Sofia Gubaidulina: Hommage à T.S. Elliot for soprano and octet
Gustav Mahler: “Lieder eines fahrenden Gesellen” for chamber orchestra (arrang. by A. Schoenberg)

Christiane Karg © Gisela Schenker

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Phantasm Viol Consort

PHANTASM, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus. The ensemble quickly set a new standard for consort playing internationally both in the depth of its interpretations and its commitment to flawless string technique.

The winner of three Gramophone Awards among other prominent citations, the consort has travelled the world over, performing on concert series and in festivals throughout Europe, the Americas and Asia. Phantasm’s performances and over 20 recordings have garnered steady praise with critics singling out their ‘intensity and homogeneity of tone and their acuity to the music’s ever-active emotional flux’. Their most recent honours are the 2017 Gramophone Award for Early Music and the 2017 Diapason d’or de l’année bestowed for their recording of Dowland’s Lachrimae.

The members of Phantasm (from the UK, Finland and Germany) were Consort-in-Residence at the University of Oxford and Magdalen College from 2005 to 2015. In 2015, the group’s art activity shifted to Berlin.

VIDEO

PRESS

„Phantasm’s playing brims with imaginative fantasy and dance-like momentum“

Gramophone

„Rigorous intellect with sensitive musicianship.“

BBC Music Magazine

SELECTION OF PROJECTS (2023/24)

Availability upon request
The well-tempered Consort: Music by J. S. Bach

In this programme we try to get ‘inside Bach’s head’ to make concrete within Bach’s glorious polyphony not only his vast range of references to arias, concertos, dances, sonatas but also as string players to engage with the astounding variety of characters, styles and emotions lurking beneath the surface of the notes. Even for those familiar with this repertoire from the keyboard will be astounded at how the clarity of lines audible on the viols that seems to result in new works penned by Bach’s genius.

Availability upon request
The Art of Being Human

The Art of Being Human is an exploration of how it feels to be alive and to exist among others, in relationships that are perfectly expressed through the polyphony of Early Music – its dissonances and harmonies – and reflected in the movement of dancers’ bodies, in a performance that offers profound insights into the very meaning of life. The Art of Being Human was commissioned by Pierre Boulez Saal, Berlin, where it will premiere in March 2023.

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La Folia Barockorchester

La Folia – this term of the baroque era focusses on wildness, fury, jollity and generally on an artistic attitude of liberality and excessive creativity.

Since their foundation in 2007 the La Folia Barockorchester vitalises on period instruments the international music scene. Whether in a chamber music instrumentation or with baroque opulence, whether with instrumental music or together with vocal soloist – the aspiring young orchestra under the direction of the violinist Robin Peter Müller stands for energetic and overwhelming interpretations of the music from the 17th and 18th century. Historically informed the musicians are looking for opportunities to transfer the emotions and contents of the past centuries into contemporary interpretations which have thrilled both audience and critics alike.

The ensemble cooperates regularly with renowned instrumentalists and singers like Hille Perl, the Vienna Boys’ Choir, Regula Mühlemann, Mahan Esfahani and Jan Vogler, Dorothee Oberlinger, Dorothee Mields, Anna Prohaska, Maurice Steger and Stefan Temmingh.

Founder and director Robin Peter Müller, born in Dresden, is one of the most sought-after musicians of his generation performing on period as well as on modern violin.Within a short period he led La Folia Barockorchestra to international reputation.

VIDEO

PRESS

„Standing Ovations für einen überragenden Countertenor mit einem erlesenen Orchester und für ein spannendes, die interpretatorischen Grenzen durchaus tangierendes Programm.“

Die Nordwest-Zeitung, 31.08.2019

„Ein wunderbarer Abend mit Riesenbeifall.“

Weser Kurier, 22.09.2019

SELECTION OF PROJECTS (2024/25)

Easter 2025
Jesus and Pontius Pilatus: Passion Programme
with Anna Lucia Richter, mezzo-soprano

Pontius Pilatus suffers from headaches and the pressures of his office, yet longs for nothing more than recognition. He is a complex and contradictory figure in Mikhail Bulgakov’s epoch-making novel The Master and Margarita. The Passion from the point of view of the Roman governor in Judea allows a different view of the last stages of Jesus’ suffering. For example, when Pilate asks the question also found in the Bible: “What is truth?”, but, unlike there, he hears Jesus’ answer: “The truth is above all that your head hurts. You dream that your dog is coming, apparently the only being you are attached to. But your torment will be over in a moment, your headache will pass away.”

Passion compositions by A. Caldara, J. S. Bach, H. Purcell and A. Vivaldi and others.
Excerpts from the novel “The Master and Margarita” by Mikhail Bulgakov

Anna Lucia Richter © Kaupo Kikkas

Dates available upon request
Bassoon!
with Sophie Dervaux, baroque bassoon

With works by Georg Philipp Telemann, Antonio Vivaldi & Francesco Geminiani

Sophie Dervaux, Bassoon and Conductor Photo: Marco Borggreve

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PAST CONCERTS – A SELECTION


8 Sep 2022
Wigmore Hall London
Robin Peter Müller, direction & violin / Carolyn Sampson, soprano

Cleopatra
with works by Carl Heinrich Graun, Giovanni Legrenzi, Antonio Vivaldi, Alessandro Scarlatti, etc.


16 Sep 2021
Lausitz Festival
Robin Peter Müller, direction & violin / Elisabeth Breuer, soprano / Tim Mead, countertenor

G.-B. Pergolesi: Stabat Mater f-Moll, P.77
J.-S. Bach: Kantate »Tilge, Höchster, meine Sünden«, BWV 1083


10 Sep 2021
Harbour Front Literaturfestival, Elbphilharmonie Hamburg
Robin Peter Müller, direction & violin / Anna Prohaska, soprano / Carolin Emcke, text

Anna Prohaska and the La Folia Barockorchester provided musical answers to questions between love and loss from eight centuries. Together, the author and the musicians celebrated “Celebration of Life in Death” on that evening at HARBOUR FRONT SOUNDS and gave expression to hope and grief in times of pandemic.

Dr. Carolin Emcke © Andreas Labes


6 + 27 Aug 2019
Festwochen Innsbruck, Musikfest Bremen
Robin Peter Müller, direction & violin / Bejun Mehta, countertenor

G. F. Händel: Ouverture, March and Arias of Cesare from the opera “Giulio Cesare in Egitto” HWV 17

Bejun Mehta © Marco-Borggreve

Il Giardino Armonico

Il Giardino Armonico, founded in 1985 and conducted by Giovanni Antonini, has long established itself as one of the world’s leading period instrument ensembles, bringing together musicians from some of the most important music institutions in Europe. The repertoire of the ensemble focuses mainly on works of the 17th and 18th centuries. Depending on the requirements of the program, the ensemble consists of three to 30 instrumentalists.

Il Giardino Armonico is regularly invited to festivals all over the world, performing in the most important concert halls, and received the highest acclaim for both their concerts and their staged opera productions, like Monteverdi’s Orfeo, Händel’s Agrippina, Il Trionfo del Tempo del Disinganno and La Resurrezione, Vivaldi’s Ottone in Villa, as well as Handel’s opera Giulio Cesare in Egitto at the Salzburger Festspiele and Pfingstfestival in 2012.

Il Giardino Armonico is regularly invited to festivals all over the world, performing in the most important concert halls, and received the highest acclaim for both their concerts and their staged opera productions, like Monteverdi’s Orfeo, Händel’s Agrippina, Il Trionfo del Tempo del Disinganno and La Resurrezione, Vivaldi’s Ottone in Villa, as well as Handel’s opera Giulio Cesare in Egitto at the Salzburger Festspiele and Pfingstfestival in 2012.

The most recent projects include the recording of Haydn’s The Creation in collaboration with the Bavarian Radio Chorus, published by Alpha Classic in October 2020.

VIDEO

PRESS

„The clarity of the orchestration is made transparent and gleaming by the soloists of Il Giardino Armonico, who also make the most of every joke or surprise.“

The Guardian, 19 JUN 2021

„De la très belle ouvrage.“

Diapason d’Or, APR 2021

„On the basis of this delightful recording I can only hope that at some point during his Haydn journey Antonini will also tackle Haydn’s other great oratorio, The Seasons.“

Presto Music, 09 OCT 2020

PROJECTS 2024/25 – A SELECTION

Availability upon request
with Avi Avital, mandolin

J. Haydn: Overture, Allegro con Espressione from Philemon und Baucis Hob. XXIXa:1
C. W. Gluck: Dance of the Blessed Spirits from Orfeo ed Euridice
J. S. Bach: Concerto for two harpsichords in C minor BWV 1060 (transcription for recorder, mandolin and orchestra: Avi Avital)
J. S. Bach: Harpsichord concerto No. 1 in D minor, BWV 1052 (transcription for recorder, mandolin and orchestra: Avi Avital)
J. N. Hummel: Mandolin Concerto in G major S28
J. Haydn: Symphony No. 43 E flat major Hob. I:43 „Merkur“

Availability upon request
L’ Estro Armonico
with Isabelle Faust, violin

Works from A. Vivaldi’s “L’ Estro Armonico”

Isabelle Faust © Felix Broede


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PAST CONCERTS – A SELECTION


10. + 11. May 2019, Herkulessaal der Residenz, München
13. May 2019, Mozartfest Augsburg
14. May 2019, Konzerthaus Wien
23. June 2019, Soli Deo Gloria – Braunschweig Festival
28. June 2019, Rheingau Musik Festival
Giovanni Antonini, conductor / Anna Lucia Richter, soprano / Maximilian Schmitt, tenor / Florian Boesch, bass baritone / Chor des Bayerischen Rundfunks

J. Haydn: The Creation Hob. XXI:2

14. November 2018, Konzerthaus Berlin
Il Giardino Armonico Giovanni Antonini, conductor / Patricia Kopatchinskaja, violin

Works by A. Vivaldi, L. Francesconi, S. Movio, A. Cattaneo

© Patricia Kopatchinskaja

26. + 7. August 2018
„Serpent & fire“
Giovanni Antonini, conductor / Anna Prohaska, soprano

Freiburger Barockorchester

The Freiburg Baroque Orchestra looks back on a success story lasting almost thirty years and is a popular guest at the most important concert halls and opera houses. A glance at the ensemble’s concert calendar shows a diverse repertoire played at a variety of venues, ranging from the Baroque to the musical present and from Freiburg to the Far East. The Freiburgers’ artistic credo, however, remains unchanged: the creative curiosity of each of them, with the intention of playing a composition in as lively and as expressive a manner as possible.

Under the artistic directorship of Gottfried von der Goltz and Kristian Bezuidenhout, and under the baton of selected conductors, the FBO presents it-self with about one hundred performances per year in a variety of formations from chamber to opera orchestra: a self-administrated ensemble with its own subscription concerts at Freiburg’s Concert Hall, Stuttgart’s Liederhalle, and Berlin’s Philharmonie and with tours all over the world.

Andreas Richter Cultural Consulting represents the Freiburg Baroque Orchestra in Asia, Great Britain, Germany and neighboring countries on request.

VIDEO

PRESS

„Stunningly performed, Tuesday’s night concert from the Freiburg Baroque Orchestra felt like a symbolic act of reconnection to the music.“

The Telegraph, 24. Noveber 2022

„What a wonderful gift for these challenging times!“

Limelight, 13th March 2020

„I doubt that Beethoven, at least recently, has sounded quite so original or so much fun.“

Gramophone, January 2020

SELECTION OF PROJECTS 2024/25

13 – 16 and 18 – 22 December 2024
MOZART PROGRAMME
with Pablo Heras-Casado, direction // Zürcher Sing-Akademie, choir // Kristian
Bezuidenhout, piano // soloists tbc.

Once again, Freiburg Baroque Orchestra and its artistic director Kristian Bezuidenhout, conducted by Pablo Heras-Casado, dedicate themselves to the work of Mozart, who was as born with the courage to take risks as these performers.

W. A. Mozart: Mass in C minor K. 427
W. A. Mozart: Piano Concerto no. 17 in G major K. 453

Pablo Heras-Casado © Dario Acosta

January 2025
IDOMENEO
with René Jacobs, direction // soloists tbc.

Plaything of the gods – Mozart’s Idomeneo explores the ambivalent relationship between people and powers in the most penetrating way. One can look forward to the musical storm that the Freiburg Baroque Orchestra under the direction of René Jacobs is sure to unleash!

W. A. Mozart: Idomeneo, Rè di Creta K 366

René Jacobs © Johannes Berger

25 August – 09 September 2024
BEETHOVEN PROGRAM
with Isabelle Faust, violin // Kristian Bezuidenhout, piano

L. v. Beethoven: Violin Concerto in D major op. 61
L. v. Beethoven: Piano Concerto tbc.

„Their understanding with pianist and each other was outstanding.“

The Sidney Morning Herald, 12. März 2020

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PAST CONCERTS – A SELECTION

13 December 2022, deSingel, Antwerpen
14 December 2022, Chiesa di San Pietro, Perugia
15 December 2022, Basilica di San Vittore, Varese
16 December 2022, Franziskaner Konzerthaus, Villingen
18 December 2022, Kölner Philharmonie
19 December 2022, Kammermusiksaal der Philharmonie, Berlin
21 December 2022, Kultur- und Kongresszentrum Liederhalle, Stuttgart
22 December 2022, Konzerthaus Freiburg

MAGNIFICAT
Freiburg Baroque Orchestra / Vox Luminis / Lionel Meunier, bass & leader
J. S. Bach: Magnificat in E-flat major BWV 243A / J. Kuhnau: Uns ist ein Kind geboren BWV 142, Magnificat in C major

****

bachtrack, 19 December 2022

28 April 2022, Konzerthaus Freiburg
30 April 2022, Staatstheater Wiesbaden
03 May 2022, Kölner Philharmonie
04 May 2022, Elbphilharmonie Hamburg

FREISCHÜTZ
Polina Pasztircsák, soprano – Agathe / Kateryna Kasper, soprano – Ännchen / Maximilian Schmitt, tenor – Max / Dimitry Ivashchenko, bass – Kaspar / Christian Immler, bass – Eremit / Max Urlacher, speaker – Samiel / Zürcher Sing-Akademie / Freiburger Barockorchester / René Jacobs, conductor
C. M. von Weber: Der Freischütz

 
 
 
 
 
 

“Great hit on the bull’s eye!

Hamburger Abendblatt, 06 May 2022

“Concertante always also means theatrical with René Jacobs.”

Badische Zeitung, 30 April 2022

10 March 2020, Melbourne Recital Center
Gottfried von der Goltz, leader & violin / Kris Bezuidenhout, piano
L. v. Beethoven: Piano Concert no. 1 in C major op. 15 / Piano Concerto no. 2 in B flat major op. 19 / Piano Concerto no. 3 in C minor op. 37

11 March 2020, Melbourne Recital Center
Gottfried von der Goltz, leader & violin / Kris Bezuidenhout, piano
L. v. Beethoven: Ouverture Die Geschöpfe des Prometheus op.43 / Piano Concerto no. 4 in G major op. 58 / Ouverture Coriolan op. 62, Piano Concerto no. 5 in E flat major op. 73

© Melbourne Recital Center

27 November 2018, Elbphilharmonie
HIPPOLYTE ET ARICIE
Sir Simon Rattle, Conductor / Aletta Collins, Director, Choreography / Ólafur Elíasson, Stage, Light Design, Costumes / Anna Prohaska, Aricie / Reinoud van Mechelen, Hippolyte / Magdalena Kozená, Phèdre / Gyula Orendt, Thésée / Elsa Dreisig, Diane / Staatsopernchor
J.-P. Rameau: Hippolyte et Aricie

© Thies Rätzke Images


Finnish Baroque Orchestra

Founded in 1989, the Finnish Baroque Orchestra (FiBO) has been a pioneer in many ways throughout its history. The orchestra is known in Finland and abroad for its skilful performances, its creative approach to concert programming and groundbreaking partnerships, such as the Nordic Baroque Scene. At the core FiBO is a Baroque orchestra, but they also venture into early Baroque and Romanticism as well as Sibelius’ works and new music for period instruments. In addition to its own FiBO Records series, FiBO has made recordings with several record labels. The latest record, Il labirinto armonico (BIS), featuring Locatelli’s violin concerts with soloist Ilya Gringolts, has received significant international recognition such as Gramophone Editor’s Choice (3/2021) and Diapason d’or (5/2021).  

VIDEO

PRESS

„From the opening track onwards, elegant playing launches a programme rich in charm from Ilya Gringolts and the Finnish Baroque Orchestra, all on sparkling form.“

Gramophone Magazin, 19.02.2021

„Sharp-edged playing from the Finnish Baroque Orchestra.”

The Guardian, 27.01.2019

SELECTION OF PROJECTS (2024/25)

Dates available upon request
THE BIRTH OF THE WORLD – Early Baroque and Finnish folk music
Virpi Räisänen, mezzo soprano / Taito Hoffrén, runensong

Works by Claudio Monteverdi, Enríquez de Valderrábano, Tarquinio Merula etc.

Virpi Räisänen © Jukka Lehtinen

Dates available upon request
EROS
with Marianna Henriksson, harpsichord & musical direction // Anna Mustonen, Choreography

Eight musicians of the Finnish Baroque Orchestra, five dancers and five singers reach towards each other in this performance, forming versatile constellations of erotic desire. The performance is loosely based on the essay Eros the Bittersweet by Anne Carson.

Works by Biagio Marini, Claudio Monteverdi, Giovanni Felice Sances & Barbara Strozzi.

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PAST CONCERTS – A SELECTION

19 August 2022, Elbphilharmonie Hamburg
„Water Music“
G. F. Händel: Suite no. 2 in D major HWV 349 »Water Music«
G. F. Händel: Suite no. 1 in F major HWV 348 »Water Music«
G. F. Händel: Suite no. 3 in G major HWV 350 »Water Music«
G. F. Händel: Music for the Royal Fireworks HWV 351
As well as Finnish traditional works by Viljami Niittykoski

© Finnish Baroque Orchestra

19 August 2019, Brühler Schlosskonzerte
„From Russia with love“
Irma Niskanen, leader & violin / Petteri Pitko, cembalo

Works by G. Pasiello, D. Cimarosa, J. Haydn and B. Galuppi: Concerto a quattro

© Brühler Schlosskonzerte

21 July 2019, Herrenchiemsee Festspiele
Dancing Queen“
Kajsa Dahlbäck, soprano / Olga Heikkilä, soprano / Katariina Heikkilä, alto / Jukka Jokitalo, tenor / Juha-Pekka Mitjonen, basso

Works by A. Scarlatti, A. Corelli, G. Düben, J. H. Schmelzer, C. Gesualdo, V. Albrici, A. Cesti a.o.

Europa Galante

Europa Galante was founded in 1989 by its musical director Fabio Biondi, who wanted to form an Italian period instrument ensemble to play both, the baroque and classical repertoire. The ensemble has a varying structure and often performs chamber music, such as the string sonatas of Italian composers of the seventeenth century. des 17. Jahrhunderts.

The ensemble’s repertoire includes operas of Handel, such as Agrippina and Imeneo, as well as Vivaldi, including Bazajet, Ercole sul Termodonte, Oracolo in Messenia and many pre-eighteenth century instrumental works. The orchestra is widely known for its performances of the works of Alessandro Scarlatti, such as the oratorios (Maddalena, La Santissima Trinità), serenatas (Clori, Dorino e Amore) and operas including Massimo Puppieno, Il Trionfo dell’Onore, La Principessa Fedele and Carlo Re d’Allemagna. Europa Galante regularly collaborates with the Fondazione Santa Cecilia in Rome to rediscover and restore eighteenth-century Italian operas, such as Antonio Caldara’s La Passione di Gesù Cristo, Leonardo Leo’s Sant’Elena al Calvario or Gesu sotto il peso della Croce by F. di Mayo. Last season in Rome, the ensemble presented La Foresta Incantata by Francesco Geminiani, together with an animated film by Fabio Biondi and the director Davide Livermore.

Europa Galante performed in many of the world’s major concert halls and theatres, including La Scala in Milan, Accademia di Santa Cecilia in Rome, Suntory Hall in Tokyo, Concertgebouw in Amsterdam, the Royal Albert Hall in London, Musikverein in Vienna, Lincoln Center in New York and the Sydney Opera House. The ensemble also toured throughout Australia, Japan, Europe, Canada, Israel, the USA and South America.

VIDEO

PRESS

„… tutto aveva un senso, un’ intelligenza musicale. In tutto, questo Europa Galante si è confermata un’ orchestra che risponde come un corpo unico ma che rivelare tra le sue fila bravi solisti, quando serve. Teatro colmo pubblico un festa come a un concerto rock!”

Gazzetta di Parma, 22 October 2021

„Had Fabio Biondi made no other record, we would know from this one that he was a great violinist.“

The Strad, 2019

„I will certainly be looking out for any future releases he (Fabio Biondi) cares to record.“

The Art Music Lounge, 2019

„Biondi was a wizard on his violin.“

The San Diego Union Tribune. 2018

PROJECTS 2024/25 – A SELECTION

March 2025
L’INCORONAZIONE DI POPPEA
with Fabio Biondi, künstlerische Leitung und Violine und Ann Hallenberg, Mezzosopran
C. Monteverdi: L’ incoronazione di Poppea

In April 2019, Europa Galante and Fabio Biondi debuted Monteverdi’s opera Il Ritorno d’Ulisse in Patria at the Elbphilharmonie Hamburg. The successful debut was followed in 2022 by L’Orfeo – and now the cycle will be completed in spring 2025 with the “sex-and-crime” story L’incoronazione di Poppea.

 
 
 
 

“What a richness of colour there is in the ensemble Europa Galante, not even two dozen heads strong, under the direction of their concertmaster Fabio Biondi: amazing.”

Hamburger Abendblatt, 18. Februar 2022

Availability upon request
NATURE’S VOICE
with Fabio Biondi, artistic direction and violin // mezzo-soprano tbc.
A. Vivaldi:
Violin Concerto in E Major op. 8/1 RV 269 ‘Primavera’
Violin Concerto in G minor op. 8/2 RV 315 ‘L’Estate’
Violin Concerto In F Major op. 8/3 RV 293 ‚L’Autumno’
Violin Concerto In F Minor op 8/4 RV 297 ‘L’Inverno
H. Purcell:
Suites from the Fairy Queen
‘Thus the ever Grateful Spring’
‘See, see my many Colour’d Fields
and others
G. F. Händel:
Aria ‘Like clouds, stormy winds them impelling’ from The Triumph of Time and Truth
Aria ‘Finché d’un Zeffiro Soave’ from Ezio
Aria ‘Da Tempeste’ from Giulio Cesare

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PAST CONCERTS – A SELECTION

16 February 2022 Elbphilharmonie Hamburg / 18 February 2022 Palau de la Música Barcelona / 20 Feburary 2022 Auditorio Nacional de Música Madrid / 22 Feburary 2022 Theater an der Wien
C. Monteverdi: L’ Orfeo
Fabio Biondi, Conductor / Ian Bostridge (Orfeo) / Monica Piccinini (Euridice, La Musica) / Marina de Liso (Messagera, La Speranza) / RIAS Kammerchor / Europa Galante / a.o.

 
 
 
 

“One can only marvel at the richness of colour in the ensemble Europa Galante, not even two dozen strong, under the direction of its concertmaster Fabio Biondi.”

Hamburger Abendblatt, 17 February 2022

“El excelente conjunto instrumental.”

opera world, 15 February 2022

20 April 2019
C. Monteverdi: Il ritorno d’Ulisse in patria
Fabio Biondi, conductor / Furio Zanasi, Ulisse / Sara Mingardo, Penelope / Ewa Leszczynska Ericlea / Matheus Pompeu, Giove / Coro Costanzo Porta / Walter Le Moli (stage director) a.o.

Ulisses © Patrick Klein

8 June 2018 / 21 July 2018 / 11 September 2018
EUROPEAN MIGRANTS

Works by M. Mascitti, A. Vivaldi, G.F. Händel, F. Geminianio, F. Barsanti, G. Paisiello, J. Stamitz, A. Soler, L. Boccherini and G. P. Telemann

© Musikfestspiele Potsdam Sanssouci

Compagnia di Punto

As part of the Ludwig van Beethoven Year 2020 – the 250th anniversary of the birth of the German-born Viennese master -, the Compagnia di Punto has made a recording of his first three symphonies. How is this special?

A remarkable aspect of this recording is that Beethoven’s symphonies, today considered as untouchable and virtually sacred monuments, are here performed by the Compagnia di Punto in arrangements realized by Beethoven’s contemporaries for a chamber ensemble made up of only ten instrumentalists. While this may be considered an affront to some purists, this recording will be welcomed by classical music fans with an open mind as an absolute rarity. On one hand, original arrangements of famous works reveal how loosely the “musical pantheon” could be treated during Beethoven’s time; on the other hand, they manage to cast a completely new light on musical works that are known inside out. With exceptional works such as Beethoven’s symphonies, this is an especially rewarding undertaking. Nominated for an OPUS Klassik 2020 in the category “Ensemble/Orchestra of the year”!

VIDEO

PRESS

„An outstanding ensemble gives us a new perspective on Beethoven’s symphonies.“

NDR Kultur, 21.02.2020

„The presence of mind and vitality of nine fantastically motivated players sweep the listener into the symphonic chamber music of yesteryear…“

Süddeutschen Zeitung, 02.02.2020

„Fazit: Auf jeden Fall spannend!“

onlineMerker, 07.02.2020

SELECTION OF PROJECTS (2024/25)

Availability on request
Distortions
with Ian Bostridge, tenor / Marina Galic, actress

Works by Robert Schumann after poetry by Heinrich Heine with fragments of scenes from Woyzeck by Georg Büchner for singer, actress and chamber ensemble.

Ian Bostridge and Marina Galic as the main characters are joined by the ensemble Compagnia di Punto, which performs on instruments from the early 19th century – the period in which both Schumann and Büchner were active. Through exaggeration and alienation, this unusual, dramatic recital repeatedly draws Schumann’s beautiful songs into the present and poses the question if we, as a society, deal with psychological instability appropriately.

Availability on request
En miniature

Compagnia die Punto plays Beethoven’s, Mozart’s and Haydn’s symphonies on period instruments in chamber music format, arranged by contemporaries Carl Friedrich Ebers and Ferdinand Ries. The symphonies can be combined at will or supplemented with other works by Beethoven for small ensembles.

L. v. Beethoven: Symphony No. 1 in C major, Op. 21, edited by Karl Friedrich Ebers (1770-1836)
L. v. Beethoven: Symphony No. 2 in D major, Op. 38, edited by Ferdinand Ries (1784-1838)
L. v. Beethoven: Symphony No. 3 in E flat major, Op. 55, edited by Carl Friedrich Ebers
L. v. Beethoven: Symphony No. 6 “Pastoral” in F major, Op. 68
W. A. Mozart: Symphony No. 40 in G minor, K. 550
J. Haydn: Symphony No. 99 in E flat major, Hob. I:99
J. Haydn: Symphony No. 101 ” The clock” in D major, Hob. I:101
A. Rosetti: Sinfonie G major Murray A41
A. Rosetti: Sinfonie F major Murray A35
A. Rosetti: Sinfonie C major Murray A3

Additional works by Beethoven: Serenade for flute, violin and viola Op. 25, Sextett Op. 81b (2 horns and piano), Horn Sonata

Die Sammlung André - Compagnia di Punto

Symphony No. 2 in D Major, Op. 36: IV. Allegro molto (Arr. for Small Orchestra by Ferdinand Ries)

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