B’Rock Orchestra

B’Rock Orchestra was set up in Ghent in 2005 on the basis of an urge for renewal and rejuvenation in the world of Early Music. The selected international musicians specialize in historically well-founded performance practices. They distinguish themselves by their open mind and flexibility of repertoire and playing style.

In the choices it makes for its concert programmes, B’Rock combines established works of baroque composition with the lesser-known repertoire of the 17th and 18th centuries. In addition, the orchestra pursues a bold and innovative programme policy, in which early and contemporary music meet and enrich each other. It focuses especially on giving first performances of new music written with its historic instruments in mind. Yet, the orchestra has a reputation for cross-genre productions, too. Finally, early music in combination with theatre, visual art and/or video are also a part of the orchestra’s DNA.

B’Rock Orchestra regularly engages prominent guest conductors and soloists such as René Jacobs, Jérémie Rhorer, Leonardo García Alarcón, Peter Dijkstra, Bejun Mehta, Alexander Melnikov, Kristian Bezuidenhout, Dmitry Sinkovsky, Sophie Karthäuser and many others. It frequently collaborates with leading choral ensembles such as RIAS Kammerchor, Collegium Vocale Ghent, the Nederlands Kamerkoor and Cappella Amsterdam ND has developed structural partnerships in the fields of opera and musical theatre with De Munt/La Monnaie and Muziektheater Transparant.

VIDEO

PRESS

„It is sensational how well the “Ur-Carmen” does when the orchestral sound is skilfully purified.”

Hamburger Abendblatt, 26 March 2024

„But, under Mr. Jacobs’s baton, B’Rock still sounded like a small chamber orchestra: nimble, clear, precise. And restrained, reserving its most powerful sound for dramatic effect, which added a sense of theater to a piece…”

New York Times, January 2019

„It’s a very special experience, from which the world can learn a great deal.“

Bachtrack, March 2017

SELECTION OF PROJECTS

17 July – 8 August 2027 / 17 – 30 April 2028
May & Beginning of June 2028 on request
VENUS
B’Rock Orchestra / Jeanine de Bique, soprano

The programme with soprano Jeanine de Bique is dedicated to Venus, the Roman goddess of love and beauty, planet of our solar system and astrological constellation, with French, Italian and English compositions from the period between around 1650 and 1750.

Works by J.-P. Rameau, H. Purcell, G. F. Händel, H. Desmarest, D. Sarro, G. Legrenzi, J. C. Pepusch & G. Porsile

Jeanine de Bique © Tim Tronckoe
 
 

“Venus shines brighter than ever!”

SWR, 15 February 2026

Fall 2027 upon request
DA PACEM
B’Rock Orchestra / B’Rock Vocal Consort / Inne Eysermans & Katherina Lindekens, soundscapes / Andreas Küppers, musical direction

While Europe was being torn apart by the Thirty Years’ War, Heinrich Schütz set his urgent plea to equally poignant music. We sing the noble polyphony of the psalms by him and his contemporaries, to songs of lament and jubilation, but also songs that describe everyday life in the midst of battle.

The Baroque music is interwoven with soundscapes created by Inne Eysermans (composer, sound artist, and performer) and Katherina Lindekens (dramaturge, audio producer, and field recordist). Their work is inspired by reflections on the role of our natural environments during and in the aftermath of armed conflict.

Works by H. Schütz, S. Scheidt, J. H. Schmelzer, J. Hildebrand, S. Staden, Inne Eysermans & Katherina Lindekens

 
B'Rock Vocal Consort © Bjorn Comhaire
Inne Eyserman © Bob van Mol / Katherina Lindekens © Dries Segers

“If you sit still and listen long enough, the past can draw surprisingly close.”

Katherina Lindekens & Inne Eysermans

DOWNLOADS

PAST CONCERTS – A SELECTION

05 September 2024, Musikfest Bremen
MISSA SOLEMNIS
B’Rock Orchestra / René Jacobs, conductor / Brigitte Christensen, soprano / Sophie Harmsen, mezzo-soprano / Thomas Walker, tenor / Johannes Weisseer, bass / Zürchester Singakademie / Sebastian Breuing, choir master

L. v. Beethoven: Missa solemnis in D major op. 123

“A great evening!”

Kreiszeitung, 6 September 2024

12 March 2024, De Singel, Antwerpen / 14 March 2024, Philharmonie de Paris / 16 March 2024, Konzerthaus Dortmund / 17 March 2024, Kölner Philharmonie / 25 March 2024, Elbphilharmonie Hamburg / 27 March 2024, Teatro Real, Madrid
CARMEN!
B’Rock Orchestra / Christiane Gaëlle Arquez, Carmen / Sabine Devieilhe, Micaëla / François Rougier, Don José / Thomas Dolié, Escamillo / Chœur de Chambre de Namur / Kinderchor Opera Ballet Vlaanderen / René Jacobs, conductor

G. Bizet: Carmen. Opera in four acts / Version 1874, édition Paul Prévost

 
 
Gaëlle Arquez, B'Rock Orchestra, René Jacobs © B'Rock Orchestra

“It is sensational how well the ‘Ur-Carmen’ does when the orchestral sound is skilfully purified”

Hamburger Abendblatt, 26 March 2024

25 + 26 February 2023
VENGA LA MORTE!
B’Rock Orchestra / Christiane Karg, soprano / René Jacobs, conductor

C. M. von Weber: Overture to the opera „Der Freischütz”
W. A. Mozart: Cocert arias K.272, K.369 & K.490
Franz Schubert: Symphony no. 9 in C major D 944 „The Great”

Christiane Karg © Gisela Schenker

“The orchestral sound is impressively transparent, you can hear every single voice, everything seems slender, supple, never fatted by vibrato.”

Die Rheinpfalz, 27 January 2023

Orchestra of the Eighteenth Century

The Orchestra of the Eighteenth Century is one of the most prominent early music orchestras in the world. The musicians play internationally in leading (chamber) music ensembles and meet several times a year for performances of iconic and lesser-known repertoire. In the early 1980s, the orchestra achieved world fame by performing grand symphonic work on original instruments and in a historically informed manner. A revolution that never really stopped. 

But the uniqueness of the orchestra is not only in the sound or the way of playing. Ever since it was founded by Frans Brüggen more than forty years ago, musicians have never taken a score for granted. The approach is critical, curious, investigative and progressive. Core values from the Enlightenment that all orchestra members hold in high esteem. That is why every performance is a new challenge and the iconic repertoire remains alive and kicking.

VIDEO

PRESS

„Standing ovation at the end!“

Rhein-Neckar-Zeitung, 8 April 2024

„The other starry performance of the evening came from the Orchestra of the Eighteenth Century.“

Bachtrack, 16th October 2019

SELECTION OF PROJECTS 2027/28

Summer 2028 upon request
BY HER ABSENCE
Elisabeth Hetherington, soprano // Benjamin Perry Wenzelberg, conductor // Peter Leung, staging

The Orchestra of the Eighteenth Century presents a tribute to the overlooked composer Marianna Martines. Together with soprano Elisabeth Hetherington (winner of the 2024 Dutch Music Prize) and stage director Peter Leung, the orchestra tells the
story of this remarkable and multi-talented woman from Vienna.

More than 200 years after her death, the Orchestra of the Eighteenth Century and Elisabeth Hetherington bring Martines back to life on stage. At the heart of the programme are two of her finest vocal works, La tempesta and Berenice, ah che fai.

They are interwoven with music by her contemporary Joseph Haydn and a newly commissioned work by Kate Moore.

DOWNLOADS

PAST CONCERTS – A SELECTION

5 April 2024 Heidelberger Frühling
BEETHOVEN
Orchestra of the Eighteenth Century / Alena Baeva, violin

L. v. Beethoven: Violin concerto in D major op. 61
L. v. Beethoven: Symphony no. 2 in D major op. 36

Alena Baeva © studio visuell

25 MAY 2022 Elbphilharmonie Hamburg
THE SEASONS
Nicolas Altstaedt, Dirigent / Christina Landhamer (Hanne) / Ian Bostridge (Lukas) / Florian Boesch (Simon) / Capella Amsterdam / Orchestra of the Eighteenth Century

J. Haydn: The Seasons Hob. XXI:3

 
 
 
 
 

“…and when ‘Winter’ came to an end with the powerful double fugue, one would have gladly wanted to start again right away with ‘Spring.’”

Hamburger Abendblatt, 26 May 2022