SPECIAL PROJECTS - ANDREAS RICHTER

Stegreif – The Improvising Symphony Orchestra

Without notes – without conductor – without chairs: Stegreif shows new ways of what a contemporary orchestra can look like today. In radical recompositions, the international musicians combine symphonic music with improvisation and influences from other genres and involve the audience in original spatial concepts. With these innovative concert formats, the young ensemble inspires a growing audience of different target groups.

Since the orchestra was founded in 2015, at least one new concert programme has been developed every year: #freebeethoven, #freeschubert, #freebrahms, #free∃roica, #bfree, #freemahler, #explore_mozart, #explorefreischütz, #bechange. In addition, co-productions have been realised with the Deutsches Symphonie-Orchester Berlin and the young North German Philharmonic Orchestra (TRIKESTRA), among others. Stegreif has performed concerts renowned stages such as the Berlin Philharmonic, the Konzerthaus Berlin, the Elbphilharmonie the Elbphilharmonie Hamburg, the Alte Oper Frankfurt, the Brucknerhaus Linz, the Radialsystem Berlin, the Beethovenfest Bonn or the Prinzregententheater Munich as well as at alternative alternative festivals such as FUSION, Detect Classic, PODIUM Esslingen, the Düsseldorf Festival or the Oranjewoud Festival (NL).

VIDEO

PRESS

‘A Bruckner symphony in an interactive format: it’s one of the most goosebump-inducing moments of the evening and pure magic. Rarely do you experience the urgency and exceptional character of this music first-hand as was the case here.’

Urs Mattenberger in der Luzerner Zeitung, 12.09.2024

‘There was thunderous applause and standing ovations for this magnificent performance by an ensemble that had ‘delivered’.’

Reinhard Frank on shz.de, 24.07.2022

‘It’s a success! Bravo!’

Angelika Silberbach in Mainpost, 19.07.2022

‘The passion for music and the virtuosity of the individual pieces can rarely be experienced so closely.’

Ulrike Gerner in taz, 12.10.2019

SELECTION OF PROJECTS 2027/28

–Overview projects 2027/28 (PDF)

Dates upon request
#FREE∃ROICA
Beethovens dritte Sinfonie – ohne Noten, Dirigent*in und Stühle
Sebastian Caspar, musical leader // Mike Conrad & Alistair Duncan, Recomposition & Arrangement

free∃roica about revolutions – historical and musical – and the heroes they brought forth. The orchestra strives towards them without sheet music, without a conductor and without chairs, and in doing so also looks for the small disorders. For example;these disruptions “only” consist of entering the concert hall without shoes or taking the audience on a journey from 18th century France to the present.

L. v. Beethoven: Symphony no. 3 in E-falt major op. 55

DOWNLOADS

navinafotografiert-193595 Stegreif Orchester – press photo 1

Copy-of-BILD_bfree_2-C-NAVINAFOTOGRAFIERT Stegreif Orchester – press photo 2

DSC_1829_┬®Kasseler-Musiktage_Bernd-Schoelzchen Stegreif Orchester – press photo 3

DSC_2147_┬®Kasseler-Musiktage_Bernd-Schoelzchen Stegreif Orchester – press photo 4

–Biography (PDF)

–Projects 2027/28 (PDF)

PAST CONCERTS – A SELECTION

2 + 3 November 2023, Elbphilharmonie
SYMPHONY OF CHANGE – SOUNDS OF SUSTAINABILITY
Stegreif / Juri de Marco & Lorenz Blaumer, artistic lead / Nikola Djurica, musical lead / David Fernández, direction & choreography / Tabea Schrenk, Nina Kazourian, Julia Biłat, Helena Montag, Franziska Aller: recomposition & arrangement

Shifting between social responsibility and individual hope, Stegreif Orchestra presents the symphony of change, as the conclusion of the bechange series. It focuses on the interplay between music and sustainability and develops a musical invitation to contribute towards the change that is necessary for addressing the big challenges of our time.

Works by H. von Bingen, W. von Bayreuth, W. Mayer, C. Schumann

Symphony of change - Beethovenfest Bonn © Nekame Klahsom

Symphony of change - Beethovenfest Bonn © Alexander Ziegler

Symphony of change - Philharmonie Berlin © Navina Neuschl

Molyvos International Music Festival

The Molyvos International Music Festival is celebrating its 10th birthday! The chamber music festival founded by the two pianists Danae and Kiveli Dörken on the Greek island of Lesbos has managed to establish itself as one of the most beautiful and inspired festivals in Southern Europe, despite all the non-musical challenges of the last ten years. With passion, creative ideas and equally committed allies, the two sisters have succeeded in bringing together top stars such as Lars Vogt, Christian Tetzlaff and Marlis Petersen as well as Europe’s young musical talent for chamber concerts, Musical Moments in the old town and various educational projects in Molyvos. The birthday edition presents artists such as Simon Bode, Antje Weithaus and Noé Inui as well as a world premiere by Lucas Thanos.

VIDEO

FESTIVAL 2026 – ΕΥΔΑΙΜΟΝΙΑ

12 – 19 August 2026, Molyvos International Music Festival
EUDAIMONIA
Danae & Kiveli Dörken, piano & artistic director / Antje Weithaas, violin / Clemence de Forceville, violin / Tomoko Akasaka, viola / Benedict Kloeckner, cello / Sebastian Manz, clarinet / Pascal Schumacher, percussion and many more

The pianist sisters Danae and Kiveli Dörken will host the Molyvos International Music Festival on the island of Lesbos for the twelfth time. This year’s theme is “Bliss | ΕΥΔΑΙΜΟΝΙΑ,” featuring 16 events at unique open-air venues. Highlights of the chamber music festival program include, among others, the Philip Glass homage “Glass for Two,” a choral work by Sven Helbig, as well as a world premiere by Christos Papageorgiou.

Works by J. S. Bach, N. Paganini, E. Ysaÿe, S. Helbig, C. Papageorgiou, L. v. Beethoven, R. Schumann, P. Glass and many more

DOWNLOADS

_Molyvos 2020 Pressefoto 1

_Molyvos 2020 Pressefoto 2

_Molyvos 2020 Pressefoto 3

Aga Khan Music Programme

Aga Khan Music Programme was established by Karim Aga Khan with the aim of supporting outstanding musicians and music teachers in preserving and communicating their musical heritage, developing it in contemporary forms and disseminating it worldwide through concerts and recordings. The programme initiates and implements country-specific action programmes to support the revitalisation and preservation of cultural heritage. Under this premise, special programme series in which outstanding renowned artists present new compositions, improvisations and arrangements of a repertoire strongly inspired by the respective tradition are developed, among other things. The programmes always represent artistic encounters between time-honoured traditions and contemporary forms, as a new generation of top-class musicians further develops and varies old musical traditions. The encounter of different cultures thus gives rise to a unique musical creativity.

The Aga Khan Music Programme strives with top-class musicians from the Near and Far East, Africa and the countries of the former Soviet Union to preserve the rich and varied heritage of classical music traditions from around the world and introduce them in Europe. From 15th to 17th February 2019, the Aga Khan Music Programme visited Germany for the first time, presenting the multi-faceted classical music of the Silk Road in four concerts at the Konzerthaus Dortmund, including a school concert. Renowned musicians, such as the Chinese pipa player Wu Ma, the Syrian composer and musician Basel Rajoub or Dutar and tanbur player Sirojiddin Juraev, combined music traditions of their countries with improvisation and borrowings from the Western jazz tradition in their performances. The multimedia concert Qyrq Qyz – Forty Girls reflected both musically and figuratively a centuries-old saga of Central Asia that could possibly change the Western view of women’s images of the East.

VIDEO

PRESS

„Es ist nachhaltig beeindruckend zu sehen, welch schwindelerregend intellektuelle Leistungen klassischen Musikern in der Türkei, in Thailand und Java abverlangt werden.”

Michael Church, Old and New Music from the Ends of the Silk Route, 2016, 2

„Ein musikalisch hoch eindrucksvoller Abend, nicht zuletzt, um sich über das Fremde im Anderen und im eigenen Wesen klarzuwerden”

Eva-Maria Reuther im Volksfreund, 12.08.2019

DOWNLOADS

–Aga Khan Music Programme press picture 1

–Aga Khan Music Programme press picture 2

–Aga Khan Music Programme press picture 3

PAST PROJECTS – A SELECTION

15. – 17. Februar 2019, Konzerthaus Dortmund
TIME ISLAND – TRADITION AND REINVENTION

From February 15 to 17, 2019, artists from the Aga Khan Music Programme performed in Germany for the first time. At the Konzerthaus Dortmund, they presented four concerts—including a school concert—showcasing the richly diverse classical music of the Silk Road.

NEW MUSIC FROM BOTH ENDS OF THE SILK ROAD
Wu Man, pipa / Basel Rajoub, saxophone, duclar / Sirojiddin Juraev, dutar, tanbur / Feras Charestan, kanun / Andrea Piccioni, percussion

The vast network of the Silk Road stands not only for vibrant trade but also for a virtuosic instrumental and vocal repertoire. The musicians around pipa player Wu Man aim to ensure that these ancient musical traditions from their homelands are not forgotten. They preserve them as a constant source of orientation, while breathing new life into this heritage through contemporary sonic influences.

QYRQ QYZ – FORTY GIRLS
Raushan Orazbaeva, musical direction, kyl kobiz / Gumisay Berdikhanova, vocals, girjek / Gumshagul Bekturganova, vocals, dutar / Aziza Davronova, vocals, dutar, percussion / Tokzhan Karatai, vocals, kyl kobiz / Makhabat Kobogonova, vocals, kyl-kiyak, choor / Chopo-choor, harp / Arailym Omirbekova, vocals, dombyra / Saltanat Yersultan, vocals, jetigen / Alibek Kabdurakhmanov, percussion, chang / Saodat Ismailova, film and staging / Dmitri Yanov-Yanovsky, composer

Unique within Central Asian heroic epics is the legend of the “Qyrq Qyz”—the forty girls who defended their Turkic tribe against attacks. In a multimedia concert, their story is brought to the stage of the Konzerthaus through film sequences, traditional instruments, and the powerful singing of the female musicians.

“The three-day “Time Island: Sound of the Silk Road” was like a short getaway into a distant, unfamiliar world.”

Ruhrnachrichten, 18 February 2019

11 August 2019, Mosel Musikfestival
NEW MUSIC FROM BOTH ENDS OF THE SILK ROAD
Wu Man, pipa / Feras Charestan, qanun / Sirojiddin Juraev, dutar & tanbur / Basel Rajoub, duclar & soprano saxophone / Abbos Kosimov, doira

With the program New Music from Both Ends of the Silk Road, artists from China, Syria, Uzbekistan, and Tajikistan brought together Western and Eastern, old and new traditions at the Mosel Music Festival 2019, transcending genres and styles. A unique combination of instruments showcased the rich sound spectrum of the Arabic box zither qanun, the Persian long-necked lute tanbur, the Central Asian pipa, and other rare and fascinating instruments.