Stegreif – The Improvising Symphony Orchestra

Without notes – without conductor – without chairs: Stegreif shows new ways of what a contemporary orchestra can look like today. In radical recompositions, the international musicians combine symphonic music with improvisation and influences from other genres and involve the audience in original spatial concepts. With these innovative concert formats, the young ensemble inspires a growing audience of different target groups.

Since the orchestra was founded in 2015, at least one new concert programme has been developed every year: #freebeethoven, #freeschubert, #freebrahms, #free∃roica, #bfree, #freemahler, #explore_mozart, #explorefreischütz, #bechange. In addition, co-productions have been realised with the Deutsches Symphonie-Orchester Berlin and the young North German Philharmonic Orchestra (TRIKESTRA), among others. Stegreif has performed concerts renowned stages such as the Berlin Philharmonic, the Konzerthaus Berlin, the Elbphilharmonie the Elbphilharmonie Hamburg, the Alte Oper Frankfurt, the Brucknerhaus Linz, the Radialsystem Berlin, the Beethovenfest Bonn or the Prinzregententheater Munich as well as at alternative alternative festivals such as FUSION, Detect Classic, PODIUM Esslingen, the Düsseldorf Festival or the Oranjewoud Festival (NL).

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PRESS

‘A Bruckner symphony in an interactive format: it’s one of the most goosebump-inducing moments of the evening and pure magic. Rarely do you experience the urgency and exceptional character of this music first-hand as was the case here.’

Urs Mattenberger in der Luzerner Zeitung, 12.09.2024

‘There was thunderous applause and standing ovations for this magnificent performance by an ensemble that had ‘delivered’.’

Reinhard Frank on shz.de, 24.07.2022

‘It’s a success! Bravo!’

Angelika Silberbach in Mainpost, 19.07.2022

‘The passion for music and the virtuosity of the individual pieces can rarely be experienced so closely.’

Ulrike Gerner in taz, 12.10.2019

SELECTION OF PROJECTS 2024/25

Dates available upon request
#IMPROPHONIE
A symphony from the moment

How can music emerge in the moment and in contact with the audience? Where do improvisation and composition meet? Can even an entire symphony be improvised?
Groove – movement – eye contact. The aim of #improphonie is to capture the magic of collective, free improvisation in its spontaneity and to give it a space as an independent work. space as an independent work. The individual strengths of the musicians become the driving energy and communication the actual composer. communication becomes the actual composer.

Artistic direction: Juri de Marco, Lorenz Blaumer
Concept, composition, musical direction: Bertram Burkert
Direction, choreography and conception: Lea Hladka
Costume and stage: Anja Kreher

Duration: approx 70 min

“The most striking overall impression was the atmosphere: away from the spectacular, theatral, merely entertaining, towards mindfulness, humility and appreciation.”

FAZ, 27 September 2022

Dates available upon request
symphony of change –
Final production of the project #bechange – 17 sounds of sustainability

In the symphony of change, Stegreif asks what this change sounds like. The musical arc is spanned from Hildegard von Bingen (1098-1179), Wilhelmine von Bayreuth (1709- 1785), Emilie Mayer (1812-1883) to Clara Schumann (1819-1896). Music history is revealed and rewritten when selected works by these historical composers are recomposed by five young and female ensemble members of the Stegreif Orchester and placed in a new context.

Premiere: planned for August 2023
Cast: 24 musicians
Artistic direction: Juri de Marco / Lorenz Blaumer
Recomposition/Arrangement: Nina Kazourian, Tabea Schrenk, Julia Bilat, Helena Weinstock-Montag, Franziska Aller
Co-Artistic Direction Composition: Alistair Duncan
Direction, Choreography: David Fernandez

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Molyvos International Music Festival

The Molyvos International Music Festival is celebrating its 10th birthday! The chamber music festival founded by the two pianists Danae and Kiveli Dörken on the Greek island of Lesbos has managed to establish itself as one of the most beautiful and inspired festivals in Southern Europe, despite all the non-musical challenges of the last ten years. With passion, creative ideas and equally committed allies, the two sisters have succeeded in bringing together top stars such as Lars Vogt, Christian Tetzlaff and Marlis Petersen as well as Europe’s young musical talent for chamber concerts, Musical Moments in the old town and various educational projects in Molyvos. The birthday edition presents artists such as Simon Bode, Antje Weithaus and Noé Inui as well as a world premiere by Lucas Thanos.

09, 10, 11 & 12 August 2024, opening acts
16 – 19 August 2024, Molyvor International Music Festival, Lesbos

PHILIA – ΦΙΛΙΑ – FRIENDSHIP
Danae & Kiveli Dörken, piano & artistic director / Simon Bode, tenor / Sebastian Manz, clarinet / Antje Weithaas, violin / Eugène Ysaÿe, violin and many more.
Works by J. S. Bach, F. Kreisler, N. Pagannini, J. Brahms, E. Chausson, M. Bruch, F. Schubert, F. Mendelssohn-Bartholdy and many others.

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Aga Khan Music Programme

Aga Khan Music Programme was established by Karim Aga Khan with the aim of supporting outstanding musicians and music teachers in preserving and communicating their musical heritage, developing it in contemporary forms and disseminating it worldwide through concerts and recordings. The programme initiates and implements country-specific action programmes to support the revitalisation and preservation of cultural heritage. Under this premise, special programme series in which outstanding renowned artists present new compositions, improvisations and arrangements of a repertoire strongly inspired by the respective tradition are developed, among other things. The programmes always represent artistic encounters between time-honoured traditions and contemporary forms, as a new generation of top-class musicians further develops and varies old musical traditions. The encounter of different cultures thus gives rise to a unique musical creativity.

The Aga Khan Music Programme strives with top-class musicians from the Near and Far East, Africa and the countries of the former Soviet Union to preserve the rich and varied heritage of classical music traditions from around the world and introduce them in Europe. From 15th to 17th February 2019, the Aga Khan Music Programme visited Germany for the first time, presenting the multi-faceted classical music of the Silk Road in four concerts at the Konzerthaus Dortmund, including a school concert. Renowned musicians, such as the Chinese pipa player Wu Ma, the Syrian composer and musician Basel Rajoub or Dutar and tanbur player Sirojiddin Juraev, combined music traditions of their countries with improvisation and borrowings from the Western jazz tradition in their performances. The multimedia concert Qyrq Qyz – Forty Girls reflected both musically and figuratively a centuries-old saga of Central Asia that could possibly change the Western view of women’s images of the East.

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PRESS

„Es ist nachhaltig beeindruckend zu sehen, welch schwindelerregend intellektuelle Leistungen klassischen Musikern in der Türkei, in Thailand und Java abverlangt werden.”

Michael Church, Old and New Music from the Ends of the Silk Route, 2016, 2

„Ein musikalisch hoch eindrucksvoller Abend, nicht zuletzt, um sich über das Fremde im Anderen und im eigenen Wesen klarzuwerden”

Eva-Maria Reuther im Volksfreund, 12.08.2019

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