Orpheus Chamber Orchestra

Orpheus Chamber Orchestra is a radical experiment in musical democracy, proving for fifty years what happens when exceptional artists gather with total trust in each other and faith in the creative process. In that age of co-ops and communes, the idealistic Orpheans snubbed the “corporate” path of symphony orchestras and learned how to play, plan and promote concerts as a true collective, with leadership roles rotating from the very first performance.

The sound of Orpheus is defined by its relationships, and guest artists have always been crucial partners in the process. Orpheus brings the best out of its collaborators, and those bonds deepen over time, as heard in the long arc of music-making with soloists such as Richard Goode and Branford Marsalis, and in the commitment to welcoming next-generation artists including Nobuyuki Tsujii and Tine Thing Helseth. Breaking down the barriers of classical repertoire, partnerships with Brad Mehldau, Wayne Shorter, Ravi Shankar, and many others from the sphere of jazz and beyond have redefined what a chamber orchestra can do.

At home in New York and in the many concert halls it visits in the U.S. and beyond, Orpheus begins its next fifty years with a renewed commitment to enriching and reflecting the surrounding community. It will continue its groundbreaking work with those living with Alzheimer’s Disease through Orpheus Reflections, and the Orpheus Academy as well as the Orpheus Leadership Institute spread the positive lessons of trust and democracy to young musicians and those in positions of power.

“This fully collaborative, almost chamber music approach to music was great.” (Jan Lisiecki)

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PRESS


“These are performances that deserve to be remembered.”

Gramophone, 2021

“It whirls, glistens, purrs and sparkles so much it’s a joy.”

concerti, 22 March 2019

“… and once again confirmed the artistry of an excellent orchestra
in big, thick letters.”

bachtrack, 21 April 2015

A SELECTION OF PROJECTS 2026/27

Programmes and projects on request.

February und March 2027
Branford Marsalis, Saxophone

M. Ravel: Très rythmé from String Quartet in F-Dur (arr. Michi Wiancko)
J. Beal: Saxophone Concerto 
E. Lecuona: Andalucia, Suite Espagnol (orch. Janina Norpoth)
G. Gershwin: An American in Paris (arr. Javier Diaz)

Orpheus Chamber Orchestra & Branford Marsalis © Chris Lee

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Collegium Vocale Gent

Collegium Vocale Gent, founded in 1970 by Philippe Herreweghe, revolutionized baroque vocal music by embracing new performance practices. Their emphasis on authenticity and textual clarity propelled them to international acclaim, gracing stages from Europe to Asia. Since 2017, the ensemble has hosted its own summer festival, Collegium Vocale Crete Senesi, in the picturesque setting of Tuscany, Italy.

With a diverse repertoire spanning centuries, Collegium Vocale Gent has evolved into a versatile ensemble, tailoring its forces to suit each project. From intimate renditions of Renaissance music to grand symphonic performances of Romantic and contemporary works, the ensemble’s adaptability knows no bounds. Their mastery of German Baroque, particularly J.S. Bach’s vocal compositions, remains unparalleled.

Collaborating with leading historical and symphony orchestras, Collegium Vocale Gent has established itself as a dynamic force in the classical music world. Under Herreweghe’s guidance, the ensemble has amassed a prolific discography, showcasing their artistry and innovation. Supported by the Flemish Community, the city of Ghent, and Belgium’s National Lottery, Collegium Vocale Gent continues to inspire audiences worldwide with its timeless interpretations and unwavering commitment to musical excellence.

VIDEO

PRESS

“Those marvellous voices.”

Tagesspiegel Berlin, 28 September 2024

“Rarely has virtuoso colouratura been heard with such naturalness and expressiveness as with the Collegium vocale from Ghent.”

Tagesspiegel Berlin, 16 September 2022

„There are ensembles and conductors who are indispensable to the performance history of a composer. In the case of the Collegium Vocale Gent conceived by Philippe Herreweghe, this is Johann Sebastian Bach, who has been elevated to the musical shield in a very small ensemble.“

bachtrack, 08 April 2022

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Going East

Sarah Willis has been celebrating great success in Europe with her “Mozart y Mambo” project for several years – both in concert halls and with the three recordings that are now available. In May, “Mozart y Mambo” will be making its debut in the Far East, with the aim of sweeping audiences in Taiwan’s major concert halls off their feet with South American rhythms!

He (Mozart) would certainly have liked this lively approach!“ (Tagesspiegel Berlin, 12 Aug. 2023)

1 May 2024, National Taichung Theatre / 4 May 2024, Tainan Cultural Center / 5 May 2024, National Concerthall, Taipei
MOZART Y MAMBO
Sarah Willis, horn & musical direction Works by R.. Egües, W. A. Mozart, J. Davis, J. Peña, J. Fernández, S. Siaba a.o. Arrangements by J. Aragon

Shaping the future

Classical:Next is considered one of the most important gatherings of the international classical music world. This year, it is taking place in Berlin for the first time, and there have also been changes behind the scenes: Andreas Richter joined the organising GmbH as a partner at the beginning of the year and is responsible for the conference part of the event together with the ARCC team. Karsten Witt and Nikolaus Rexroth, both from Karsten Witt Musik Management, and Clemens Seemann are also new to the team. Fabienne Krause is Managing Director.

The conference programme offers a wide variety of inspiring topics: new concert formats and audience development, digitality and AI, change management and sustainability and many more. Showcases present a broad spectrum of high-calibre artists and productions from all genres, from early to contemporary, traditional to experimental.

Press conference
Thursday, 25 April 2024
10.30 a.m. start (admission from 10.00 a.m.)
Colosseum Berlin, Schönhauser Allee 123, 10437 Berlin

On the podium
Joe Chialo, Senator for Culture and Social Cohesion
Fabienne Krause, Managing Director Classical:NEXT
Ole Bækhøj, Artistic Director Pierre Boulez Saal
Katja Frei, member of the Classical:NEXT Jury

13 – 17 May 2024, Colosseum / Pierre Boulez Saal / Holzmarkt 25 Classical:NEXT – The Global Gathering For All Art Music Professionals Conference Sessions, Showcases, Meet Ups, Presentations, Exhibition, Mentoring and more

Our Next concerts

“ “A May day is a categorical imperative of joy”, as the poet Friedrich Hebbel once said. For us, the joy begins already in April with a concert tour to Athens, and by no means ends at the end of May at Esterházy Palace. The programmes and projects of the coming weeks point to the future in many respects, play with genre boundaries and accompany the next generation of young musicians from all over the world:

The Chamber Orchestra of Europe doesn’t just have Europe in its name
Debut in the Far East: Sarah Willis’ Mozart y Mambo
Fab’ Four: Kronos Quartet
Tomorrow’s pianists: Building Bridges
Baroque and more: B’Rock Orchestra & Avi Avital
Classical:NEXT is getting closer!

IAMA 2024

We look forward to meeting you next week at IAMA 2024 in the Concertgebouw Bruges! Julia Larigo and Michael Sauter will be on site from Monday to Wednesday and will be happy to present the new programmes of our orchestras and ensembles as well as our Special Projects.

We are also delighted to present new ensembles in our portfolio: the Hamburg Philharmonic State Orchestra, the Scharoun Ensemble and Stanley Dodds‘ musical multimedia project: The Once and Future!

29 April – 1 Mai 2024, Concertgebouw Bruges / Brugge 33rd IAMA Conference

Far East

Our next concerts

  • a Carmen premiere with B’Rock Orchestra
  • a Milanese string quartet expedition with Europa Galante
  • a courtly firework display of sound with Finnish Baroque Orchestra
  • one St Matthew Passion in Korea with Freiburg Baroque Orchestra
  • and another one at the Philharmonie Essen with Vox Luminis
  • well-tempered consort music with Phantasm Viol Consort
  • an all-Beethoven programme with Orchestra of the Eighteenth Century
  • what we have to do with Classical:NEXT?

    … We look forward to the coming weeks!

Our next concerts

Original sound from the Renaissance to the present day – we are looking forward to a musical excursion into the world of Romanticism with Compagnia di Punto and Ian Bostridge, to a special Easter setting in the Hungarian Archabbey of Pannonhalma with Belgian choir Vox Luminis, to another get-together of Il Giardino Armonico and Avi Avital, to excursions into emotional depths with Europa Galante and Phantasm Viol Consort, to the Babylon ORCHESTRA and a new version of their programme ECHOES OF THE MEDITERRANEAN, and a special concert programme by Ensemble Polyharmonique on the occasion of International Women’s Day 2024!