Our Next concerts

“ “A May day is a categorical imperative of joy”, as the poet Friedrich Hebbel once said. For us, the joy begins already in April with a concert tour to Athens, and by no means ends at the end of May at Esterházy Palace. The programmes and projects of the coming weeks point to the future in many respects, play with genre boundaries and accompany the next generation of young musicians from all over the world:

The Chamber Orchestra of Europe doesn’t just have Europe in its name
Debut in the Far East: Sarah Willis’ Mozart y Mambo
Fab’ Four: Kronos Quartet
Tomorrow’s pianists: Building Bridges
Baroque and more: B’Rock Orchestra & Avi Avital
Classical:NEXT is getting closer!

Hamburg Philharmonic State Orchestra

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

In its long history, the orchestra has encountered great artistic personalities such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky. Since the 20th century, chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Hans Zender, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the sound of the Philharmoniker. Kent Nagano has been Hamburg’s General Music Director and Chief Conductor of the Hamburg Philharmonic State Orchestra and the Hamburg State Opera since 2015 and its Honorary Conductor since June 2023.

Ab der Saison 2025/26 folgt Omer Meir Wellber Kent Nagano als neuer Hamburgischer Generalmusikdirektor an der Staatsoper Hamburg und Chefdirigent beim Philharmonischen Staatsorchester. Der 41-jährige zählt international zu den gefragtesten Dirigenten, ist derzeit Music Director des Teatro Massimo Palermo sowie künstlerischer Leiter des Toscanini Festivals. Zudem ist er bis einschließlich August 2027 Musikdirektor der Volksoper Wien.

From the 2025/26 season, Omer Meir Wellber will succeed Kent Nagano as the new Hamburg General Music Director at the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra. The 41-year-old is one of the most sought-after conductors internationally and is currently Music Director of the Teatro Massimo Palermo and Artistic Director of the Toscanini Festival. He is also Music Director of the Vienna Volksoper until August 2027.

VIDEO

PRESS


„On this evening, Nagano and his ensemble synthesise spiritualisation and emotional devotion. Entirely in the spirit of Mahler.”

Hamburger Abendblatt, 01 May 2022

“Many people in the hall stand up during the long-lasting final applause.”

deropernfreund.de, 21 Feb. 2024

„Nagano thus succeeded in creating an interpretation that was never boring and in which even Brahms connoisseurs were able to discover one or two surprises.“

bachtrack, 19 Nov. 2019

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FAR EAST

Our next concerts

  • a Carmen premiere with B’Rock Orchestra
  • a Milanese string quartet expedition with Europa Galante
  • a courtly firework display of sound with Finnish Baroque Orchestra
  • one St Matthew Passion in Korea with Freiburg Baroque Orchestra
  • and another one at the Philharmonie Essen with Vox Luminis
  • well-tempered consort music with Phantasm Viol Consort
  • an all-Beethoven programme with Orchestra of the Eighteenth Century
  • what we have to do with Classical:NEXT?

    … We look forward to the coming weeks!

Our next concerts

Original sound from the Renaissance to the present day – we are looking forward to a musical excursion into the world of Romanticism with Compagnia di Punto and Ian Bostridge, to a special Easter setting in the Hungarian Archabbey of Pannonhalma with Belgian choir Vox Luminis, to another get-together of Il Giardino Armonico and Avi Avital, to excursions into emotional depths with Europa Galante and Phantasm Viol Consort, to the Babylon ORCHESTRA and a new version of their programme ECHOES OF THE MEDITERRANEAN, and a special concert programme by Ensemble Polyharmonique on the occasion of International Women’s Day 2024!

Heine meets Büchner

Hamburg’s Elbphilharmonie is celebrating one of the most important German artists of the 19th century, poet Heinrich Heine – without any anniversary, without a (half or quarter) round birthday. Ian Bostridge, Compagnia di Punto and the actress Marina Galic juxtapose some of Robert Schumann’s settings of Heine with Büchner’s epochal work Woyzeck, which remains a fragment, and thus open up a broader perspective on the art of the early 19th century.

Founded in 2010, Compagnia di Punto is an ensemble of historical performance practice that plays music from the Baroque to the early Romantic period, in fluid transitions from chamber ensemble to orchestral formation. Accordingly, the ensemble performs this programme on instruments from the early 19th century.

9 February 2024, Elbphilharmonie Hamburg
HEINRICH HEINE MEETS GEORG BÜCHNER
R. Schumann: Songs
G. Büchner: Excerpts from Woyzeck
Ian Bostridge, tenor / Marina Galic, actress / Christian Binde, leader / Matthias Schlothfeldt, concept & composition

Carribean sounds in the snow

Sarah Willis has thrilled the international music scene with her favourite project Moart y Mzambo: three highly acclaimed recordings, several invitations to the most renowned concert halls and the founding of her own salsa band, Sarahbanda, are the result of the intensive collaboration between the horn player, the Havana Lyceum Orchestra and its conductor José Antonio Mendez. In February 2024, Sarahbanda will bring Caribbean flair to wintry Europe with European art music, South American compositions and Cuban rhythms! 25 January 2024, Società Filarmonica Trento / 27 January 2024, Schloss Elmau / 29 January 2025, HUK-Coburg / 04 February 2024, Nikolaisaal Potsdam CUBAN DANCES Sarah Willis, horn & musical leader / Yuniet Lombida, saxophone / Jorge Aragón, piano Carlos García, doubble bass / Aylin Pino, violine / Adel González & Alejandro Aguilar, percussion Works based on W. A. Mozart and by Jorge Aragón, Yuniet Lombida, Ernesto Oliva a.o.

Building Bridges

For almost ten years, András Schiff has been selecting three talented pianists with special musical personalities each season for his Building Bridges programme to support them on their way to a professional career.

„It is with great pleasure that I can introduce three excellent pianists to you: Julius Asal, Martina Consonni and Tomoki Park.“ (Sir András Schiff) 09 Jan. 2024, Elbphilharmonie Hamburg Martina, Consonni / Tomoki Park Works by D. Scaralatti, F. Schubert, R. Schumann, F. Mendelssohn-Bartholdy, J. S. Bach, H. Holliger, K. Balch, I. Yun 25 Jan. 2024, Ehrbar Saal, Wien Julius Asal Works by L. v. Beethoven, B. Bartók, J. Brahms

Towards the end of the year

Dear colleagues & business partners, We bid farewell to the year with concerts by the Chamber Orchestra of Europe, Phantasm Viol Consort, Il Giardino Armonico and Avi Avital and another opera series by La Folia Barockorchester in Vienna. Before we continue in the new year with Sarah Willis’ Sarahbanda, Freiburg Baroque Orchestra and the young talents of the Building Bridges series, we would like to wish you all happy holidays and a happy and hopefully peaceful 2024!

Andreas Richter, Andrea Kerner, Julia Larigo, Michael Sauter, Daniela Gast, Ina Holthaus, Capucine Valois & Benjamin Kaiser

Our office will be closed between 23 December 2023 and 2 January 2024.