B’Rock Orchestra was set up in Ghent in 2005 on the basis of an urge for renewal and rejuvenation in the world of Early Music. The selected international musicians specialise in historically well-founded performance practices. They distinguish themselves by their open mind and flexibility of repertoire and playing style.
In the choices it makes for its concert programmes, B’Rock combines established works of baroque composition with the lesser-known repertoire of the 17th and 18th centuries. In addition, the orchestra pursues a bold and innovative programme policy, in which early and contemporary music meet and enrich each other. It focuses especially on giving first performances of new music written with its historic instruments in mind. Yet, the orchestra has a reputation for cross-genre productions, too. Finally, early music in combination with theatre, visual art and/or video are also a part of the orchestra’s DNA.
B’Rock Orchestra regularly engages prominent guest conductors and soloists such as René Jacobs, Jérémie Rhorer, Leonardo García Alarcón, Peter Dijkstra, Bejun Mehta, Alexander Melnikov, Kristian Bezuidenhout, Dmitry Sinkovsky, Sophie Karthäuser and many others. It frequently collaborates with leading choral ensembles such as RIAS Kammerchor, Collegium Vocale Ghent, the Nederlands Kamerkoor and Cappella Amsterdam ND has developed structural partnerships in the fields of opera and musical theatre with De Munt/La Monnaie and Muziektheater Transparant.
02 + 03 December 2020 – BASF Feierabendhaus, Ludwigshafen: W. A. Mozart: Clarinet concerto in A major K 622 / F. Schubert: Symphony no. 9 in C major D 944 „The Great“ (Lorenzo Coppola, René Jacobs) – cancelled due to Covid-19
05. Dezember 2020 – Genève Victoria Hall: W. A. Mozart: Clarinet concerto in A major K 622 / F. Schubert: Symphony no. 9 in C major D 944 „The Great“ (Lorenzo Coppola, René Jacobs) – cancelled due to Covid-19
Biography B’Rock Orchestra
“But, under Mr. Jacobs’s baton, B’Rock still sounded like a small chamber orchestra: nimble, clear, precise. And restrained, reserving its most powerful sound for dramatic effect, which added a sense of theater to a piece…” – Joshua Barone at New York Times (January 2019)
“It’s a very special experience, from which the world can learn a great deal.” – General Director Hendrik Storme about B’Rock at Bachtrack (March 2017)