Goodbye, dear Peter!

In June 2026, we received the deeply saddening news of the passing of our partner and dear friend, Peter Readman.

As Chairman, advisor, and close companion of the Chamber Orchestra of Europe, Peter played an essential role from the very beginning in what has become one of the great success stories of European orchestral history of the past fifty years. He helped a group of exceptional, ambitious young musicians turn their dream into reality: to establish an independent, self-governed, and self-funded chamber orchestra – uniting a shared love of music-making with the vitality of a youth orchestra, and an uncompromising commitment to the highest artistic standards.

During their honeymoon at the Salzburg Festival in 1980, James Judd (then Claudio Abbado’s assistant) successfully persuaded Peter and his newly wed Victoria to join the extraordinary venture of founding the COE. From that moment on, both would become far more than just supporters of the orchestra. There was hardly a soloist or conductor whom Peter did not greet with genuine warmth; hardly a concert hall that Peter and Victoria had not visited at least once; hardly a member of the orchestra whom they did not welcome wholeheartedly into the COE family; and scarcely a project, programme, or new idea with which Peter did not become enthusiastically involved. Together with the musicians and the management, Peter helped ensure that the COE grew into one of the world’s leading orchestras; that some of the most distinguished conductors of our time found – and continue to find – an artistic home there; that internationally renowned soloists return time and again with great joy to tour the world with the orchestra; and that even during challenging periods, the existence of this unique ensemble remained secure.

We remember countless conversations and encounters with Peter – whether at the COE office in London, at the Berlin Philharmonie, or in a hotel bar in Eisenstadt – discussing future projects, long-term strategies, funding opportunities, or simply exchanging ideas while benefiting from his remarkable memory and wealth of experience. A committed European, a passionate lover of music and culture, and a cosmopolitan guided by deeply held humanistic values, Peter was someone who inspired admiration without ever seeking to. His warmth, wisdom, enthusiasm, openness, and cheerful spirit made every meeting with him an intellectual and personal pleasure. We have lost not only an invaluable business partner, but also a loyal and cherished friend.

Farewell, dear Peter. You will be missed beyond words, even as your spirit, your work, and your legacy live on. To your wife Victoria, your children and grandchildren, and of course to the musicians and staff of the Chamber Orchestra of Europe, we extend our heartfelt wishes for strength and comfort as they say goodbye. We share your grief and will always keep Peter in a special place in our hearts.

À la Veneziana!

Il Giardino Armonico and Giovanni Antonini are curating an entire festival weekend at the Ludwigsburg Festival: two evenings with the internationally acclaimed soprano Julia Lezhneva, as well as an instrumental programme featuring the artistic director himself as solo recorder. Following this, the Ba-Rockers will present a Venetian programme of Renaissance and Baroque works at the Stiftskonzerte in Linz, together with countertenor Alois Mühlbacher.

10, 11 & 12 July 2026, Ludwigsburger Schlossfestspiele / 16 July 2027, Europäische Festwochen Passau / 17 July 2026, OÖ. Stiftskonzerte, Linz
ARIANA A NAXOS / INSTRUMENTAL PROGRAM
Il Giardino Armonico / Julia Lezhneva, soprano (10 & 12 July) / Alois Mühlbacher, countertenor (17 July) / Giovanni Antonini, conductor A. Vivaldi: Concerti in E minor RV 134 & D major RV 428 / A.  Vivaldi: Opera arias from La Griselda, Bajazet, Ottone in villa, Il Giustino & L’Olimpiade / G. P. Telemann: Concerto in C major TWV 51:C1 / J. Haydn: Cantata Arianna a Naxos Hob. XXVIIb:2 (July 10 & 12)
Works by D. Castello, G. Lebordi, A. Vivaldi, B. Galuppi and others (July 16 & 17)

Meet is at the INTHEGA CONFERENCE!

From June 29 to July 1, 2026, the INTHEGA Congress 2026 will take place at the Bielefeld City Hall. Considered Germany’s most important industry gathering, the event, together with its theatre market and professional conference programme, provides a comprehensive forum for exchange and networking. Over the course of three days, professionals from the fields of drama, music theatre, crossover productions, dance, children’s and youth theatre, comedy/cabaret, as well as shows and concerts, will come together.

Michael Sauter looks forward to introducing our dance and interdisciplinary stage projects to you in person and discussing them with you.

29 June – 01. July 2026, Stadthalle Bielefeld
INTHEGA-KONGRESS 2026

Curtain Up – Dance & Performance Projects

Pushing beyond or dissolving boundaries, exploring new paths, and engaging in dialogue with other artistic disciplines – for many of our ensembles, their sphere of activity has long extended beyond music-making alone, not least because pressing social and political issues challenge the arts and their performing artists as well. Old and new narratives, woven into music ranging from the Baroque era to contemporary pop, alongside theatre, film, and light installations, invite audiences to immersive artistic experiences.

PROJECTS 2027/28 – A SELECTION

BRYGGEN

16 November – 14 December 2027
16 January – 22 February 2028 and on request
MAX RICHTER: FOUR SEASONS RECOMPOSED WITH DANCE: FOUR SEASONS CHANGED
BRYGGEN – Bruges Strings / Jolente De Maeyer, concept & musical leader & Solovioline / Michiel Vandevelde, Choreographer & Konzept & scene & Licht / Amanda Barrio charmelo, danz / Milk of Lime, costumes

four seasons changed is a reinterpretation of Max Richter’s iconic work Recomposed by Max Richter: Vivaldi – The Four Seasons, conceived as a choreographed reflection on transformation as a powerful yet vulnerable form of life.

The string ensemble BRYGGEN does not merely perform the music; throughout the entire piece, its musicians move in continuously evolving and endlessly varying patterns. Alongside them, a single dancer weaves through the ensemble, serving both as a counterpoint to the musicians and as a living embodiment of the composition’s emotional architecture.

M. Richter: The Four Seasons – Vivaldi Recomposed

Chief choreographer Michiel Vandevelde approaches dance history as a “living archive” and connects each season to a formative choreographic tradition:

  • Spring: Inspired by Isadora Duncan.
  • Summer: Following Anna Halprin.
  • Autumn: A tribute to Pina Bausch
  • Winter: Guided by Trisha Brown

FINNISH BAROQUE ORCHESTRA

Dates upon request
EARTHRISE La Chambre aux échos / Aleksi Barrière, text & stage direction / Juha T. Koskinen, contemporary composition / Marianna Henriksson, musical direction & baroque music montage / Anni Elif Egecioglu, vocals & vocal improvisation / Thomas Kellner, acting / Étienne Exbrayat, lighting design / Lucia Schmidt, video design

Earthrise is an interdisciplinary performance in which Baroque sounds and contemporary music engage in a close and dynamic dialogue. The Finnish Baroque Orchestra (FiBO) and the ensemble La Chambre aux échos create a staged musical experience that explores the fragility of our planet and the future of humanity. Inspired by the lives of Johannes and Katharina Kepler, Earthrise combines seventeenth-century music with new, genre-crossing compositions by composer Juha T. Koskinen and vocal artist Anni Elif Egecioglu. At the heart of the production are two central figures—an actor and a singer—accompanied on stage by a seven-member Baroque ensemble performing on historical instruments. Through live looping (SOMA Cosmos Station) and subtle electronic amplification, the performance opens up new acoustic and emotional spaces.

Works by K. Harant, P. de Monte, M. Praetorius, S. Scheidt, J. H. Schein, R. Weichlein, J. T. Koskinen, A.E. Egecioglu, J. T. Koskinen

Earthrise © La Chambre aux échos
Earthrise © Minna Hatinen
 

CONCERTO COPENHAGEN

20 June – 20 July 2028
KALEIDOSCOPE
Kammerballetten / Emmanuel Frankenberg, musical direction / Sebastian Kloborg; Tobias Praetorius; Paul Lightfoot, choreography / Frederik Skålerud Hougs, lighting design

In Kaleidoscope, the award-winning choreographers Sebastian Kloborg and Tobias Praetorius create new works inspired by the rich and vibrant sound world of Baroque music, exploring how the forms, contrasts, and emotions of the Baroque can be translated into contemporary movement. Each choreographer develops a distinct and independent piece.

Together with Concerto Copenhagen and Kammerballetten, they reveal new dimensions of the music—its depth, intricacy, and dramatic power—shaped and intensified through the energy and presence of dance.

Part 1: LiVE ON TAPE – Sebastian Kloborg, Choreography (2026)
Works by A. Vivaldi, H. Guðnadóttir & A. Deller

Part 2: SELF PORTRAIT – Paul Lightfoot, Choreography (2021)
Works by A. McKenzie

Part 3: (without title) – Tobias Praetorius, Choreography (2026)
Works by G. Muffat, H. I. F. Biber

“Live On Tape is a declaration of love to live music — to its execution, emergence, and sharing.”

Sebastian Kloborg, Choreograph

SIMONE MENEZES

Dates upon request
AMAZÔNIA – orchestral concert with photos by Sebastião Salgado
Camila Provenzale, soprano / Simone Menezes, conductor

“An extraordinary experience”… is how Feuilleton Frankfurt described a performance of the symphonic concert Amazônia in September 2024, presented at the Alte Oper Frankfurt under the musical direction of Simone Menezes and featuring photographs by the world-renowned late photographer Sebastião Salgado. The programme celebrates the unique natural cosmos of the Amazon in all its facets, with compositions by Heitor Villa-Lobos and Philip Glass which, like Salgado’s photographs, are directly inspired by this diverse, wild, and tragically endangered rainforest region. The Italian-Brazilian conductor Simone Menezes has presented this programme with various orchestras at venues and festivals including the Alte Oper Frankfurt, the Dresden Music Festival, and Gulbenkian Música in Lisbon.

H. Villa-Lobos: Excerps from Bachianas Brasileiras / P. Glass: Águas da Amazônia – Metamorphosis / H. Villa-Lobos: Floresta do Amazonas (arr. as orchestral suite by Simone Menezes)

“Striking beauty, gentle evocation and romantic lushness, provided indelible memories.”

The Guardian, 15 October 2021

Stanley Dodds & ZeMu!

Dates upon request
THE ONCE AND FUTURE Yeo Siew Hua, film director / Eugene Birman, composer / Anandi Bhattacharya (in collaboration with Microsoft Azure Computer Vision and Google Cloud API), vocal so-loist, librettist / ZeMu! Ensemble featuring members of the Berliner Philharmoniker, live performance 7- Stanley Dodds, conductor

In The Once and Future, an expanded cinema experience is created through combining hi-power laser tracking, cross-over vocal performance, and AI-assisted libretto, with the virtuosic artistry of the Berliner Philharmoniker members and a new film shot in 12K by acclaimed Singaporean director Yeo Siew Hua.

With the participation of the singer Anandi Bhattacharya, the composer Eugene Birman, the conductor Stanley Dodds, the director Yeo Siew Hua, and the ZeMu! Ensemble. The ZeMu! Ensemble is the latest ensemble emerging from the ranks of the world-famous Berliner Philharmoniker, dedicated to pursuing groundbreaking technology and crossover projects with new media in classical music. ‘The Once and Future’ is its debut project.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“The most stunning and divisive work at the festival… Yeo Siew Hua’s ambitious and multidisciplinary epic that features film, theatre, laser display… and Berliner Philharmoniker’s gorgeous postmodern music.”

Business Times (SG)

In search of traces

The Orchestra of the Eighteenth Century and the cellist Jean-Guihen Queyras trace the connections between Johann Sebastian Bach, his son Carl Philipp Emanuel Bach and Felix Mendelssohn in their joint programme. Without the efforts of the latter two composers who preserved and revived Bach’s musical legacy, the course of European music history would have been very different, and our present-day repertoire would be missing an essential part of its foundation.

6 June 2026, Alte Oper Frankfurt
BACH & MENDELSSOHN
Orchestra of the Eighteenth Century / Jean-Guihen Queyras, cello / Richard Egarr, musical leader
J. S. Bach: Suite no. 3 in D major BWV 1068 / C. P. E. Bach: Cello concerto in A major Wq 172 / F. Mendelssohn-Bartholdy: The Hebrides op. 26 / Symphony no. 5 in D major op. 107 “Reformation”

A one-of-a-kind cosmos

“An extraordinary experience”… is how Feuilleton Frankfurt described a performance of the symphonic concert Amazônia in September 2024, presented at the Alte Oper Frankfurt under the musical direction of Simone Menezes and featuring photographs by the world-renowned late photographer Sebastião Salgado. The programme celebrates the unique natural cosmos of the Amazon in all its facets, with compositions by Heitor Villa-Lobos and Philip Glass which, like Salgado’s photographs, are directly inspired by this diverse, wild, and tragically endangered rainforest region. Together with the Dresden Philharmonic, the Italian-Brazilian conductor Simone Menezes will appear in June at the Dresden Music Festival and at Gulbenkian Música.

5 June 2026, Dresdner Musikfestspiele / 11 & 12 June 2026, Gulbenkian Música, Lissabon
AMAZÔNIA – orchestral concert with photos by Sebastião Salgado
Dresden Philharmonic / Camile Provenzale, soprano / Simone Menezes, conductor
H. Villa-Lobos: Excerpts from Bachianas Brasileiras / P. Glass:  Águas da Amazônia – Metamorphosis / H. Villa-Lobos: Floresta do Amazonas (arr. Simone Menezes)

Of the diversity of emotions

Together with their long-standing musical partner and friend Ian Bostridge, Europa Galante and Fabio Biondi explore states of the human soul in their program Lamento. The program tells of affects and emotions—of sorrow, jubilation, conflict, and joy—in short, of the full range of human feelings as expressed in the 17th century through new musical forms and techniques that emerged primarily in Italy. Fabio Biondi: “The idea arose from engaging with the social problems and uncertainties we face today. There is a sense of existential suffering, and I wanted to explore that musically.”

23 May 2026, Musikverein Wien
LAMENTO
Europa Galente / Ian Bostridge, tenor / Fabio Biondi, violin & leader Works by D. Castello, C. Monteverdi, C. Farina, S. D’India & G. Frescobaldi

Our next concerts

With the arrival of summer comes festival season, and we are looking forward to a wide range of concert programmes by our orchestras and ensembles at, among others, the Dresden Music Festival, the Herrenchiemsee Festival, the Ludwigsburg Festival, the European Weeks Festival, the Salzburg Festival, the Rheingau Music Festival and the Ravello Festival:

Simone Menezes und die Dresdner Philharmonie präsentieren Amazônia ★ Das Orchestra of the Eighteenth Century trifft Jean-Guihen Queyras ★ Das Scharoun Ensemble gratuliert zum 100. ★ Il Giardino Armonico & Giovanni Antonini zu Gast in Ludwigsburg ★ Vox Luminis & Lionel Meunier reisen erneut nach Salzburg ★ Das Finnish Baroque Orchestra erforscht die Elemente ★ Europa Galante & Fabio Biondi feiern Vivaldi ★ Dreamteam: Freigeist Ensemble & Marlis Petersen ★ Kubanischer Sommer mit The Sarahbanda & Sarah Willis ★ Very British – das Oberon Trio & Ian Bostridge ★ Building Bridges präsentiert Tähe-Lee Liiv ★ Kent Nagano dirigiert die Götterdämmerung ★ Crete Senesi – Philippe Herreweghes Festival in der Toskana

Europakonzert

Since 1991, the Berlin Philharmonic has celebrated the diversity of Europe’s countries and cultures with its Europe Concert on May 1, while also commemorating the founding of the orchestra on May 1, 1882. This year, the concert will take place at Schloss Esterházy in Eisenstadt—the place where Joseph Haydn helped define European classical music. Chief conductor Kirill Petrenko, Gautier Capuçon and the world-famous orchestra present works by Joseph Haydn, Igor Stravinsky, Pyotr Tchaikovsky & Ludwig van Beethoven. The concert will be live-streamed by Digital Concert Hall and ARTE Concert!

Friday, 1 May 2026, 11 a.m., Palace Esterházy
EUROPAKONZERT
Berliner Philharmoniker / Gautier Capuçon, cello / Kirill Petrenko, conductor
J. Haydn: Overture in D major Hob.Ia:7 / I. Strawinski: Pulcinella Suite / P. I. Tschaikowski: Variations on a Rococo Theme for Cello and Orchestra, op.33 / L. van Beethoven: Symphony no. 2 in D major, op. 36

Live on stream
Digital Concert Hall, 11 a.m. at 11:00 and at 8:00 p.m. (rerun)
Arte Concert, at 11 a.m.
Additional broadcast
Sun 3 May 2026: Arte Germany at 4:40 p.m.
Sun 3 May 2026: Arte Frankreich at 5.45 p.m.
Mon 25 May 2026 (Whit Monday): ZDF and ORF2 at 11 a.m.
Live at 11 a.m. on the radio
Radio3 (rbb)
SWR Kultur
BR Klassik