Our next concerts

Season starts! After an intense summer of festivals, we are delighted to enter the new season with renewed energy, fresh inspiration, and, of course, even more concerts. Here’s what’s coming up over the next few weeks:

★ NEW: Tafelmusik joins our line-up
★ Music for peace with the B’Rock Orchestra
★ An oratorio marathon with Concerto Copenhagen
★ Masters of polyphony: Phantasm Viol Consort
★ The Vienna debut of Isa Trotta
★ Eurovisions with the Oberon Trios
★ OPUS KLASSIK award for Sarah Willis
★ Haydn mastery by Il Giardino Armonico
★ Mozart mastery by Freiburg Baroque Orchestra
★ Experience Brahms with the Chamber Orchestra of Europe
★ Season opening in Perugia with the Münchener Kammerorchester

And, of course, we will also give you a brief preview of our concerts in December 2026 and January 2027.

Tafelmusik Baroque Orchestra

Every now and then a group of musicians comes along and changes the way we think about music. For over four decades, Tafelmusik has been synonymous worldwide with dynamic, engaging, and soulful performances informed by scholarship, passion and artistic excellence.

Performing on instruments and in styles appropriate to the era, Tafelmusik has performed in more than 350 cities in 32 countries. Its extensive discography on the Sony, CBC Records, Analekta and Tafelmedia labels have garnered ten JUNOs and numerous international recording prizes. From a vibrant home season in Toronto, to international tours, award-winning recordings, innovative collaborations, and inspiring education programs, Tafelmusik is a musical powerhouse with a reputation for thrilling and delighting audiences.

From a vibrant home season in Toronto, Canada, to international tours, award-winning recordings, innovative collaborations, and inspiring education programs, Tafelmusik is a musical powerhouse with a reputation for thrilling and delighting audiences.

Artistic direction is shared by orchestra members Brandon Chui, Dominic Teresi, and Cristina Zacharias.

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PRESS

“There’s determined beauty to their sweetly rich, gently vibrating sound … precision and poetry comes wonderfully together.”

Gramophone

“Tafelmusik Baroque Orchestra is a testament to what hard work and dedication to art and scholarship can do over time. This is a world-class period instrument ensemble … the playing is superb.”

Toronto Concert Reviews

“The kind of committed, passionate musicmaking that guarantees a concert that people remember for a long time, regardless of genre.”

Toronto Star

PROJECT 2028/29

27 February – 11 March 2029
A TELEMANN TRIBUTE
A 50th Anniversary Celebration
Tafelmusik Baroque Orchestra / Amanda Forsythe, soprano / Rachel Podger, violin & musical leader

Celebrating its 50th Anniversary Season, Tafelmusik Baroque Orchestra shares an illuminating tribute to its exceptionally gifted, creative, and impactful namesake composer, Georg Philipp Telemann. Telemann’s own experience as a multi-instrumentalist influenced his bold and convincing experiments with orchestral colours. Tafelmusik’s program offers the opportunity to hear rarely heard works that show the range of his brilliance.

Amanda Forssythe © Arielle Doneson / Rachel Podger © Broadway Studios

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New horizons

The best way to explore new musical territory is with old friends. Richard Wagner’s Siegfried Idyll marks new repertoire for the Freiburg Baroque Orchestra (FBO), which, under the musical direction of Sir Simon Rattle, approaches this masterpiece through the lens of historically informed performance. The rest of the programme is devoted to two cornerstones of the nineteenth-century repertoire as well: Beethoven’s Violin Concerto in D major and Schumann’s Symphony No. 2. Long-standing artistic partner Isabelle Faust joins the orchestra as soloist.

With the same ensemble, but this time performing an all-Schumann programme, the tour continues to some of Europe’s most prestigious summer festivals, including the BBC Proms in London and the closing concert of the Ravello Festival.

31 August 2026, Friedrichsforum Bayreuth / 4 September 2026, Musikfest Bremen / 5 September 2026, Ravello Festival / 7 September 2026, London Proms
SCHUMANN!
Freiburg Baroque Orchestra / Isabelle Faust, violin / Sir Simon Rattle, conductor
L. v. Beethoven: Violin Concerto in D major, Op. 61 / R. Wagner: Siegfried Idyll, WWV 103 / R. Schumann: Symphony No. 2 in C major, Op. 61 (31 August)
R. Schumann: Ouverture Genoveva op. 81 / Violin concerto in d minor WoO 1 / Symphony no. 2 in C major op. 61 (4, 5, 7 September)

Cultural Policy Salon

As director of the Forum Zukunft Kultur of the Stiftung Zukunft Berlin, Andreas Richter, together with Christophe Knoch, a member of the Foundation’s Board, will moderate the next Cultural Policy Salon in Berlin.

Berlin’s cultural policy is currently facing considerable challenges. Budget cuts, changing social expectations, increasingly scarce spaces for artistic production, and growing international competition among Europe’s cultural capitals are presenting new challenges for policymakers and cultural institutions alike.

What are the challenges facing Berlin today? What role should culture play in the city’s future? And which cultural policy decisions appear particularly important from today’s perspective?

It is worth looking back, because Berlin’s cultural policy has had to repeatedly redefine its direction over the past four decades, and many of the issues being debated today have clear historical precedents.

Against this backdrop, several personalities who have helped shape these developments over many years and from a range of political positions have been invited to the panel. Among them are Volker Hassemer, Thomas Flierl and Klaus Lederer, three former Berlin Senators for Culture.

11 September 2026, 7:00 p.m., Chamber Music Hall, Philharmonie Berlin
CULTURAL POLICY SALON — What Kind of Cultural Policy Does Berlin Need?
Volker Hassemer, Senator for Culture and Senator for Urban Development / Thomas Flierl, Senator for Science, Research and Culture / André Schmitz, State Secretary for Cultural Affairs / Sabine Bangert, Chair of the Committee on Cultural Affairs / Klaus Lederer, Senator for Culture and Europe

Our next concerts

Dear colleagues & friends,

Between the close of one season and the start of the next, our orchestras and ensembles will once again spend the summer performing at some of the world’s most beautiful festivals. Our journey takes us to Lucerne and Bremen, Ravello and Schleswig-Holstein, Rheinsberg and Molyvos. As always, we look forward to sharing memorable concerts with outstanding artists and renowned orchestras and ensembles, including…

  • Isabelle Faust, Sir Simon Rattle & Freiburg Baroque Orchestra
  • the Orchestra of the Eighteenth Century

  • Julia Lezhneva, Giovanni Antonini & Il Giardino Armonico

  • Sarah Willis, The Sarahbanda & Havana Lyceum Orchestra

  • the Phantasm Viol Consort

  • the legendary Kronos Quartet

  • the pianist Isa Trotta

We also extend our congratulations to the Molyvos International Music Festival on its anniversary and, of course, offer you a brief preview of our autumn concert season.

Wagner Cycles

In 2023, the long-term project The Wagner Cycles was launched. Under the overall artistic direction of Kent Nagano and Jan Vogler, Der Ring des Nibelungen has been re-examined since 2023 in the context of its historical origins and on the basis of current research into Richard Wagner and historical performance practice. With Kent Nagano on the podium, Concerto Köln, the Dresdner Festspielorchester and renowned soloists presented excerpts from the fourth and final part of the cycle on the breathtaking stage of Villa Rufolo on the Amalfi Coast.

31 July 2026, Ravello Festival
GÖTTERDÄMMERUNG
Young Woo Kim, Siegfried / Johannes Kammler, Gunther / Patrick Zielke, Hagen / Åsa Jäger, Brünnhilde / Ania Vegry, Gutrune / Jasmin Etminan, Waltraute & Erste Norn / Marie-Luise Dreßen, Zweite Norn / Ania Vegry, Dritte Norn / Dresdner Festspielchor der Richard-Wagner-Akademie / Concerto Köln / Dresdner Festspielorchester / Kent Nagano, conductor
R. Wagner: Prelude and Act I of Götterdämmerung – Third day of the stage festival Der Ring des Nibelungen (historically informed concert performance)

A project of the Dresden Music Festival under the artistic direction of Kent Nagano and Jan Vogler.

Small but Exquisite!

The Freigeist Ensemble from Berlin and soprano Marlis Petersen form a well-established artistic partnership. Under the direction of ensemble founder Joolz Gale, they open this year’s FESTIVO festival with songs ranging from Johannes Brahms to Alban Berg, alongside Symphony No. 6 by Anton Bruckner. The reduced orchestral forces reveal the richly coloured works of the late 19th and early 20th centuries in a particularly delicate and refined way, bringing out details that are often lost in the full orchestral sound.

“An ideal case of intimacy.” (Tagesspiegel Berlin, 2021)

24 July 2026, Festivo, Aschau
SONGS & SYMPHONY – BRUCKNER, STRAUSS & MORE
Freigeist Ensemble / Marlis Petersen, soprano / Joolz Gale, conductor
Works by R. Strauss, A. Berg, R. Wagner, J. Brahms & A. Bruckner

Goodbye, dear Peter!

In June 2026, we received the deeply saddening news of the passing of our partner and dear friend, Peter Readman.

As Chairman, advisor, and close companion of the Chamber Orchestra of Europe, Peter played an essential role from the very beginning in what has become one of the great success stories of European orchestral history of the past fifty years. He helped a group of exceptional, ambitious young musicians turn their dream into reality: to establish an independent, self-governed, and self-funded chamber orchestra – uniting a shared love of music-making with the vitality of a youth orchestra, and an uncompromising commitment to the highest artistic standards.

During their honeymoon at the Salzburg Festival in 1980, James Judd (then Claudio Abbado’s assistant) successfully persuaded Peter and his newly wed Victoria to join the extraordinary venture of founding the COE. From that moment on, both would become far more than just supporters of the orchestra. There was hardly a soloist or conductor whom Peter did not greet with genuine warmth; hardly a concert hall that Peter and Victoria had not visited at least once; hardly a member of the orchestra whom they did not welcome wholeheartedly into the COE family; and scarcely a project, programme, or new idea with which Peter did not become enthusiastically involved. Together with the musicians and the management, Peter helped ensure that the COE grew into one of the world’s leading orchestras; that some of the most distinguished conductors of our time found – and continue to find – an artistic home there; that internationally renowned soloists return time and again with great joy to tour the world with the orchestra; and that even during challenging periods, the existence of this unique ensemble remained secure.

We remember countless conversations and encounters with Peter – whether at the COE office in London, at the Berlin Philharmonie, or in a hotel bar in Eisenstadt – discussing future projects, long-term strategies, funding opportunities, or simply exchanging ideas while benefiting from his remarkable memory and wealth of experience. A committed European, a passionate lover of music and culture, and a cosmopolitan guided by deeply held humanistic values, Peter was someone who inspired admiration without ever seeking to. His warmth, wisdom, enthusiasm, openness, and cheerful spirit made every meeting with him an intellectual and personal pleasure. We have lost not only an invaluable business partner, but also a loyal and cherished friend.

Farewell, dear Peter. You will be missed beyond words, even as your spirit, your work, and your legacy live on. To your wife Victoria, your children and grandchildren, and of course to the musicians and staff of the Chamber Orchestra of Europe, we extend our heartfelt wishes for strength and comfort as they say goodbye. We share your grief and will always keep Peter in a special place in our hearts.

À la Veneziana!

Il Giardino Armonico and Giovanni Antonini are curating an entire festival weekend at the Ludwigsburg Festival: two evenings with the internationally acclaimed soprano Julia Lezhneva, as well as an instrumental programme featuring the artistic director himself as solo recorder. Following this, the Ba-Rockers will present a Venetian programme of Renaissance and Baroque works at the Stiftskonzerte in Linz, together with countertenor Alois Mühlbacher.

10, 11 & 12 July 2026, Ludwigsburger Schlossfestspiele / 16 July 2027, Europäische Festwochen Passau / 17 July 2026, OÖ. Stiftskonzerte, Linz
ARIANA A NAXOS / INSTRUMENTAL PROGRAM
Il Giardino Armonico / Julia Lezhneva, soprano (10 & 12 July) / Alois Mühlbacher, countertenor (17 July) / Giovanni Antonini, conductor A. Vivaldi: Concerti in E minor RV 134 & D major RV 428 / A.  Vivaldi: Opera arias from La Griselda, Bajazet, Ottone in villa, Il Giustino & L’Olimpiade / G. P. Telemann: Concerto in C major TWV 51:C1 / J. Haydn: Cantata Arianna a Naxos Hob. XXVIIb:2 (July 10 & 12)
Works by D. Castello, G. Lebordi, A. Vivaldi, B. Galuppi and others (July 16 & 17)