{"id":7991,"date":"2022-08-22T11:06:10","date_gmt":"2022-08-22T09:06:10","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=7991"},"modified":"2024-05-16T16:57:41","modified_gmt":"2024-05-16T14:57:41","slug":"bfo-opens-beehovenfest","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/bfo-opens-beehovenfest\/","title":{"rendered":"BFO opens Beehovenfest"},"content":{"rendered":"\n

The new artistic director of the Beethovenfest Bonn Steven Walter<\/strong>, has already stirred up the German festival scene with his chamber music festival Podium Esslingen. The Budapest Festival Orchestra<\/strong> will now open his first Beethovenfest on under the baton of its founder and principal conductor Iv\u00e1n Fischer<\/strong>. In addition, on the following evening, the orchestra invites the audience to experience Beethoven’s Third Symphony first-hand in a Mittendrin concert<\/em>.

Vox Luminis<\/strong> and Lionel Meunier<\/strong> create a musical thanksgiving celebration in Bonn Cathedral on, and present a spatially and sonically immersive sound experience with 40 Voices<\/em>.

Thursday, 25 August 2022, 7.30 p.m.<\/strong>
Prologue: Holy song of thanksgiving<\/strong>ng<\/em><\/strong>
Works by Caroline Shaw, Osvaldo Golijov, Dietrich Buxtehude, Ludwig van Beethoven, Kaan Bulak
Armida Quartett \/ Vox Luminis

Friday, 26 August 2022, 8.00 p.m.
Opening “Eroica”<\/em><\/strong>
Louis Andriessen \u00bbWorkers Union\u00ab
Gy\u00f6rgy Ligeti: \u201eMysteries of the Macabre\u201c
Ludwig van Beethoven: Symphony no. 3\u00a0\u201eSinfonia eroica\u201c
Budapest Festival Orchestra \/ Iv\u00e1n Fischer, dirction \/ Anna-Lena Elbert, soprano

Saturday, 27 August 2022, 10.00 p.m.
Late Night: Mittendrin<\/em><\/strong>
Ludwig van Beethoven: Symphony no. 3 \u201eSinfonia eroica”
Budapest Festival Orchestra \/ Iv\u00e1n Fischer, direction

Sunday, 28 August 2022, 6.00 p.m.
40 Stimmen<\/em><\/strong>
Works by Thomas Tallis, Josquin Desprez, John Sheppard, Robert Carver & Alessandro Striggio
Vox Luminis \/ Lionel Meunier, direction<\/p>\n\n\n\n

\n
Programme and tickets<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Beethovens “Eroica” – direct and in the middle!MORE »<\/a><\/p>\n","protected":false},"author":2,"featured_media":11477,"comment_status":"closed","ping_status":"open","sticky":true,"template":"single-news.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-7991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/7991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=7991"}],"version-history":[{"count":10,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/7991\/revisions"}],"predecessor-version":[{"id":8019,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/7991\/revisions\/8019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media\/11477"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=7991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=7991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=7991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}