{"id":6267,"date":"2022-03-30T18:35:26","date_gmt":"2022-03-30T16:35:26","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=6267"},"modified":"2022-05-18T13:37:06","modified_gmt":"2022-05-18T11:37:06","slug":"january-2024","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/january-2024\/","title":{"rendered":"January 2024"},"content":{"rendered":"\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">auf Anfrage<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Freiburger Barockorchester<br>with Cecilia Bernardini, violin \/ Corina Golomoz, viola<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Sinfonia concertante<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">Programme includes among others:<br><strong>W. A. Mozart: <\/strong>Sinfonia concertante in E-flat major K.364<br><br>orchestration: XX instrumentalists (tbc)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">15 January \u2013<br>15 April   <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Chaarts Chamber Artists<br>with Regula M\u00fchlemann, soprano <\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbFairy Tales\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">In the world of fairies, their enchanting sounds, and beguiling songs &#8211; surrounded by the mysticism of the North and its dazzling world of legends &#8211; the Swiss soprano Regula M\u00fchlemann and the international chamber ensemble CHAARTS are literally on the &#8216;wings of song&#8217;. Here, grand opera, filigree singspiel and fulminant orchestral suites are fused into gripping immediacy by the congenial instrumental art of Wolfgang Renz for eleven instruments, and in the dialogue between the singer and the eleven musicians, oases of the finest musicality as well as sound spaces of remarkable fullness open up.<br><br><strong>Edvard Grieg: <\/strong>Suite from Peer Gynt Nr. 1 op. 46<br>Vier Lieder: Solveigs Wiegenlied (Peer Gynt), Fr\u00fchling (Lieder op. 33), Ein Schwan (6 Lieder op. 25), Solveigs Lied (Peer Gynt)<br><strong>Giuseppe Verdi: <\/strong>Ninfe! Elfi! Silfi! \u2026 Sul fil d\u2019un soffio eteseo (Aria of Nannetta from Falstaff)<br><strong>Felix Mendelssohn Bartholdy: <\/strong>In dem Mondenschein im Walde op. 19 Nr. 4, Ouverture, Bunte Schlangen zweigez\u00fcngt, Scherzo, Bei des Feuers mattem Flimmern (Ein Sommernachtstraum)<br><strong>Anton\u00edn Dvo\u0159\u00e1k: <\/strong>Lied an den Mond (Rusalka)<br><strong>Charles Gounod: <\/strong>Je veux vivre dans le r\u00eave (Aria of Juliette from Rom\u00e9o et Juliette)<br><br>And other works by Jules Massenet, Benjamin Britten, Henry Purcell and others.<br><br>11 instrumentalists (5 winds, 5 strings, harp)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">22 &#8211; 28 January \/<br>11- 17 December 2023 \/<br>4 &#8211; 10 March 2024<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Chaarts Chamber Artists<br>with Felix Klieser, horn<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbSeelenlust\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">Art has the power to produce the extraordinary precisely at the edge of impossibility. Felix Klieser operates the valves on his horn with the toes of his left foot, because the horn player was born without arms. He sees this handicap above all as a challenge, which he has always met with diligence and inventiveness. This has made Felix Klieser one of the best horn players around. In August 2020, Klieser recorded his latest CD with CHAARTS. &#8220;Beyond Words&#8221; became the top seller of spring 2021 and stormed to number 1 in the classical music charts. Some arias from this production can be heard alongside classical masterpieces and an orchestral adaptation of Haydn&#8217;s so-called Quintenquartett.<br><br><strong>Wolfgang Amadeus Mozart:<\/strong> Horn Quintet in E Flat, K. 407<br><strong>Johann Sebastian Bach:<\/strong> Violin Concerto No. 1 in A minor, BWV 1041<br><strong>Georg Friedrich H\u00e4ndel: <\/strong>Stille Amare, HWV 25<br><strong>Antonio Vivaldi: <\/strong>Sileant zephyri, RV 638<br><strong>Johann Sebastian Bach: <\/strong>Erbarme dich, mein Gott, BWV 244<br><strong>Joseph Haydn:<\/strong> Divertimento for strings after the string quartet in D minor Op. 76\/2, Horn Concerto No. 2 D major<br><br>13 instrumentalists<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>auf Anfrage Freiburger Barockorchesterwith Cecilia Bernardini, violin \/ Corina Golomoz, viola Sinfonia concertante Programme includes among others:W. A. Mozart: Sinfonia concertante in E-flat major K.364 orchestration: XX instrumentalists (tbc) 15 January \u201315 April Chaarts Chamber Artistswith Regula M\u00fchlemann, soprano \u00bbFairy Tales\u00ab In the world of fairies, their enchanting sounds, and beguiling songs &#8211; surrounded by [&hellip;]<a href=\"https:\/\/andreasrichter.berlin\/en\/january-2024\/\" class=\"more-link\">MORE &raquo;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[47],"tags":[],"class_list":["post-6267","post","type-post","status-publish","format-standard","hentry","category-dates"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=6267"}],"version-history":[{"count":4,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6267\/revisions"}],"predecessor-version":[{"id":7092,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6267\/revisions\/7092"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=6267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=6267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=6267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}