{"id":6133,"date":"2021-11-25T13:02:19","date_gmt":"2021-11-25T12:02:19","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=6133"},"modified":"2022-05-18T13:32:22","modified_gmt":"2022-05-18T11:32:22","slug":"october-2023","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/october-2023\/","title":{"rendered":"October 2023"},"content":{"rendered":"\n
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27 September \u2013
1 October <\/h4>\n<\/div>\n\n\n\n
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B’Rock Orchestra
with Ren\u00e9 Jacobs, direction \/\/ Vilde Frang, violin<\/h3>\n\n\n\n

\u00bbMendelssohn – a new journey\u00ab<\/h4>\n\n\n\n
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With performances and recordings of Schubert’s complete symphonies, B\u2019Rock and Ren\u00e9 Jacobs started a symphonic journey which they now take one step further in time: together they explore the world of Felix Mendelssohn. With his stormy First Symphony, with feet firmly planted in Viennese classicism but looking resolutely ahead, the young composer already showed himself to be a master who could effortlessly combine nuance, swagger and innovation. The same ingredients characterise his famous Fifth Symphony, which he wrote in honour of the 300th anniversary of the Confession of Augsburg, a key document of Protestantism. If the urge is really too great, you can (softly) hum along with Luther’s famous chorale Ein feste Burg ist unser Gott\u2026 The highlight of this Mendelssohn programme is undoubtedly the famous Violin Concerto. With its tenderness, roguish wit and grace, the concerto fits Vilde Frang like a glove.

Felix Mendelssohn:<\/strong>
Symphonies no. 1 & 5
Violinconcerto in E minor

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1 – 7 October \/
September<\/h4>\n<\/div>\n\n\n\n
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Vox Luminis Choir and Orchestra
with Lionel Meunier, bass & direction \/\/ Stefanie True, soprano \/\/ Raffaele Giordani, tenor \/\/ Emilie Lauwers, stage direction<\/h3>\n\n\n\n

\u00bbRappresentatione di anima e di corpo\u00ab<\/h4>\n\n\n\n
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E. da Cavalieri:<\/strong> Rappresentatione di Anima e di Corpo

16 singers, 16 instruments<\/p>\n\n\n\n

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4 – 7 October<\/h4>\n<\/div>\n\n\n\n
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Freiburger Barockorchester
with Gottfried von der Goltz, concertmaster<\/h3>\n\n\n\n

LONDON SYMPHONY<\/h4>\n\n\n\n
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Programme includes among others:
J. Haydn: <\/strong>one London Symphony

orchestration: XX instrumentalists (tbc)<\/p>\n\n\n\n

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4 October \u2013
9 November<\/h4>\n<\/div>\n\n\n\n
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Chaarts Chamber Artists
with Jonian Ilias Kadesha, violin<\/h3>\n\n\n\n

\u00bbFortuna\u00ab<\/h4>\n\n\n\n
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Antonio Vivaldi: <\/strong>Violin Concerto in D major, RV 208
Giovanni Sollima:<\/strong> Moghul for violin, Flauto Dolce, b.c. and strings Fortuna (world premiere 2023)
Igor Stravinsky:<\/strong> \u201eSuite italienne\u201c for violin and strings

10 or 14 instrumentalists<\/p>\n\n\n\n

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13 – 15 October<\/h4>\n<\/div>\n\n\n\n
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Freiburger Barockorchester
with Miriam Feuersinger, soprano \/ Georg Poplutz, tenor<\/h3>\n\n\n\n

WAR AND PIECE II<\/h4>\n\n\n\n
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S. Scheidt:<\/strong> Galliard Battaglia XXI from Ludi Musici
H. Albert: <\/strong>“O der rauhen Grausamkeit”
S. Scheidt:<\/strong> Courante \u00e04 from Ludi musici
E. Kindermann:<\/strong> “Ach Herr, wie lange haben wir”
J. H. Schein: <\/strong>Suite No. 6 in A minor from Banchetto Musicale
E. Kindermann:<\/strong> “Ich hab einen guten Kampff gek\u00e4mpfft”
M. Franck:<\/strong> “Wenn euer S\u00fcnd”
J. Schop: <\/strong>Lachrymae Pavane
J. Vierdanck:<\/strong> Passamezzo
A. Hammerschmidt:<\/strong> “Es danken dir, Gott, die V\u00f6lker”
H. Sch\u00fctz:<\/strong> “Lobet den Herrn” from Symphonie Sacrae II
S. Scheidt:<\/strong> Bergamasca from Ludi Musici
H. Sch\u00fctz:<\/strong> “Der Herr ist mein Licht” and “Es steh Gott auf” from SS II

Freiburger BarockConsort: 10 instrumentalists<\/p>\n\n\n\n

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20 \u2013 29 October<\/h4>\n<\/div>\n\n\n\n
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B’Rock Orchestra
with Dorothee Oberlinger, artistic director & recorders<\/h3>\n\n\n\n

\u00bbRepeat\u00ab (working titel)<\/h4>\n\n\n\n
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Linear or circular, finite or eternal. Composers of all times and regions were also fascinated by the irresolvable dichotomy, the duality between the rectilinear or circular nature of time, and set to work with the contrast. Through ritornellos, themes, patterns and repetitions, they played with time in music, which is by definition temporary – and therefore linear? B’Rock focuses on the circular principle in music. In a swirling programme that spans eight centuries of music, the idea of repetition is paramount. B’Rock concludes with a typical passacaglia from the Baroque era, the repertoire that started it all for the orchestra. The circle is complete.

Hildegard von Bingen: <\/strong>Antiphon “O Ecclesia”
Konstantia Gourzi: <\/strong>Messages between trees
Philipp Glass: <\/strong>Company
Doroth\u00e9e Hahne:<\/strong> Commentari 3 (uit “O Ecclesia”)
Arvo P\u00e4rt<\/strong>: Summa
Luciano Berio: <\/strong>Gesti
Gy\u00f6rgy Ligeti: <\/strong>Continuum
Antonio Vivaldi: <\/strong>Concerto in G RV 101
Francesco Geminiani: <\/strong>Concerto Grosso \u201eFollia” naar Corelli, opus 5 no. 12
Jean-Baptiste Lully: <\/strong>Uit \u201eArmide\u201c LWV 71: Passacaille (Act V)

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27 + 28 October<\/h4>\n<\/div>\n\n\n\n
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Freiburger Barockorchester
with Robin Ticciati, direction \/ n.n., soloist<\/h3>\n\n\n\n
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Chr. W. Gluck: <\/strong>Ouverture to “Alceste”
H. Berlioz: <\/strong>“La Mort de Cleopatre”
L. v. Beethoven: <\/strong>Symphony No. 3 “Eroica”

orchestration: XX instrumentalists (tbc)<\/p>\n\n\n\n

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27 September \u20131 October B’Rock Orchestrawith Ren\u00e9 Jacobs, direction \/\/ Vilde Frang, violin \u00bbMendelssohn – a new journey\u00ab With performances and recordings of Schubert’s complete symphonies, B\u2019Rock and Ren\u00e9 Jacobs started a symphonic journey which they now take one step further in time: together they explore the world of Felix Mendelssohn. With his stormy First […]MORE »<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[47],"tags":[],"class_list":["post-6133","post","type-post","status-publish","format-standard","hentry","category-dates"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=6133"}],"version-history":[{"count":11,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6133\/revisions"}],"predecessor-version":[{"id":7088,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6133\/revisions\/7088"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=6133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=6133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=6133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}