{"id":6063,"date":"2022-03-31T16:25:06","date_gmt":"2022-03-31T14:25:06","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=6063"},"modified":"2022-07-07T14:44:47","modified_gmt":"2022-07-07T12:44:47","slug":"february-2024","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/february-2024\/","title":{"rendered":"February 2024"},"content":{"rendered":"\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">11 + 12 February<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Freiburger Barockorchester<br>with Ren\u00e9 Jacobs, direction \/ Z\u00fcrcher Sing-Akademie, choir \/ n.n., soloists<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">C. MONTEVERDI: L\u2018ORFEO, FAVOLA IN MUSICA(1607)<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">23 instrumentalists<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">12 &#8211; 29 February   <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">franz ensemble <\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbWorks by Ludwig van Beethoven, Franz Berwald, Helena Winkelmann and others\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">Please contact us for repertoire list and programs.<br><br>8 musicians<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">20 &#8211; 29 February   <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Vox Luminis Choir and Orchestra<br>with Lionel Meunier, bass &amp; direction \/\/ Freiburger BarockConsort<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbMadrigali guerrieri ed amorosi\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\"><strong>C. Monteverdi:<\/strong><br>Madrigali guerrieri ed amorosi (selection Book 8)<br>Instrumentale St\u00fccke von <strong>M. Uccelini, B. Marini, T. Merula<\/strong><br><br>8 singers, 10 instruments<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">23 February \u2013<br>2 March  <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">B&#8217;Rock Orchestra<br>with Andreas K\u00fcppers, artistic direction and keyboard instruments \/\/ Julian Pr\u00e9gardien, tenor<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbThe way of love and life\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">The love of life and the art of dying: two mutually dependent poles of human existence which have inspired countless poets, painters, and composers to take up the underlying sadness about the finiteness of all life and transform it into beauty. Julian Pr\u00e9gardien, known and unanimously beloved for his wonderful voice and his creative concert programs alike, invites the audience to join him and B\u2019Rock in an immersive journey through the centuries, listening to the infinite ways of love and death sounding different and yet eternally the same.<br><br><strong>Stefano Landi <\/strong>(1586 \u2013 1639): Passacaglia della Vita<br><strong>John Dowland<\/strong> (1563 \u2013 1626): Lacrimae, or Seven Teares (excerpts)<br><strong>Claudio Monteverdi<\/strong> (1567-1643): Combattimento di Tancredi e Clorinda (from Madrigali guerrieri et amorosi)<br><strong>Johann Sebastian Bach<\/strong> (1685-1750): Mein Verlangen ist, den Heiland zu umfangen (from the cantate BWV 161, Komm, du s\u00fc\u00dfe Todesstunde)<br><strong>Franz Schubert <\/strong>(1797-1828): Streichquartett Nr. 14 d-moll, D 810 &#8220;Der Tod und das M\u00e4dchen&#8221;, second movement in the string orchestra version by G. Mahler (1894)<br><strong>Gustav Mahler<\/strong> (1860-1911): Zu Strassburg auf der Schantz &amp; Nicht wiedersehen! (from Des Knaben Wunderhorn)<br><strong>Douglas Gordon Lilburn <\/strong>(1915-2001): Cornet Rilke &#8211; Incidental music (excerpts)<br><strong>Lisa Bielawa<\/strong> (*1968): The Lay of the Love (excerpts)<br><br>number of musicians tbc<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">February   <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">B&#8217;Rock Orchestra<br>with Andreas K\u00fcppers, artistic direction and keyboard instruments \/\/ B\u2019Rock Vocal Consort<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbMonteverdi in Flanders\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">Claudio Monteverdi left Italy only twice in his long life. As member of the court of Vincenzo Gonzaga, the Duke of Mantua, he embarked 1599 on a travel into the region from which many of his most important musical influences originated: Flanders. B\u2019Rock follows Monteverdi on his trip to Flanders in a program that brings together his most important Flemish influencers and the music, which mirrors these and develops them further and into a new age.<br><br>Works by C. Monteverdi, J. Desprez, A. Willaert, O. di Lasso, G. de Wert, among others.<br><br>number of musicians tbc<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">28 February and<br>2 + 3 March<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Freiburger Barockorchester<br>with Gottfried von der Goltz, direction \/ Alexander Melnikov, piano \/ Daniela Lieb, flute \/ Ann-Kathrin Br\u00fcggemann, oboe \/ Lorenzo Coppolaand Chalumeau Javier Zafra, bassoon \/ Bart Aerbeydt and Gijs Laceulle, horn \/ Dane Roberts and James Munro, double bass<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Concerti all\u2019arrabbiata<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\"><strong>A. Corelli:<\/strong> Concerto grosso in B major op. 6, No. 11<br><strong>G. B. Platti: <\/strong>Concerto for oboe in G minor<br><strong>A. Vivaldi:<\/strong> Concerto grosso in G major op. 6, No. 11<br><strong>Fr. Gemiani: <\/strong>Concerto grosso in D minor \u201cLa Follia\u201d<br><strong>G. Ph. Telemann: <\/strong>Sinfonia TWV 50:1 in G major &#8220;Grillen-Sinfonie&#8221;<br><strong>G. Ph. Telemann: <\/strong>Concerto in E flat major TWV 54:Es1<br><strong>G. Fr. H\u00e4ndel: <\/strong>Concerto grosso in B major op. 6, No. 7 HWV 325<br><br>23 instrumentalists<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group termin has-cyan-bluish-gray-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">15 January \u2013<br>15 April   <\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<h3 class=\"wp-block-heading\">Chaarts Chamber Artists<br>with Regula M\u00fchlemann, soprano <\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">\u00bbFairy Tales\u00ab<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large expand\"><img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2021\/06\/icon_toggle_calendar.svg\" alt=\"\" class=\"wp-image-1262\"\/><\/figure>\n\n\n\n<p class=\"expand_txt\">In the world of fairies, their enchanting sounds, and beguiling songs &#8211; surrounded by the mysticism of the North and its dazzling world of legends &#8211; the Swiss soprano Regula M\u00fchlemann and the international chamber ensemble CHAARTS are literally on the &#8216;wings of song&#8217;. Here, grand opera, filigree singspiel and fulminant orchestral suites are fused into gripping immediacy by the congenial instrumental art of Wolfgang Renz for eleven instruments, and in the dialogue between the singer and the eleven musicians, oases of the finest musicality as well as sound spaces of remarkable fullness open up.<br><br><strong>Edvard Grieg: <\/strong>Suite from Peer Gynt Nr. 1 op. 46<br>Vier Lieder: Solveigs Wiegenlied (Peer Gynt), Fr\u00fchling (Lieder op. 33), Ein Schwan (6 Lieder op. 25), Solveigs Lied (Peer Gynt)<br><strong>Giuseppe Verdi: <\/strong>Ninfe! Elfi! Silfi! \u2026 Sul fil d\u2019un soffio eteseo (Aria of Nannetta from Falstaff)<br><strong>Felix Mendelssohn Bartholdy: <\/strong>In dem Mondenschein im Walde op. 19 Nr. 4, Ouverture, Bunte Schlangen zweigez\u00fcngt, Scherzo, Bei des Feuers mattem Flimmern (Ein Sommernachtstraum)<br><strong>Anton\u00edn Dvo\u0159\u00e1k: <\/strong>Lied an den Mond (Rusalka)<br><strong>Charles Gounod: <\/strong>Je veux vivre dans le r\u00eave (Aria of Juliette from Rom\u00e9o et Juliette)<br><br>And other works by Jules Massenet, Benjamin Britten, Henry Purcell and others.<br><br>11 instrumentalists (5 winds, 5 strings, harp)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"mailto:m.sauter@andreasrichter.berlin\" style=\"border-radius:6px;background-color:#ffb400\">CONTACT US<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>11 + 12 February Freiburger Barockorchesterwith Ren\u00e9 Jacobs, direction \/ Z\u00fcrcher Sing-Akademie, choir \/ n.n., soloists C. MONTEVERDI: L\u2018ORFEO, FAVOLA IN MUSICA(1607) 23 instrumentalists 12 &#8211; 29 February franz ensemble \u00bbWorks by Ludwig van Beethoven, Franz Berwald, Helena Winkelmann and others\u00ab Please contact us for repertoire list and programs. 8 musicians 20 &#8211; 29 February [&hellip;]<a href=\"https:\/\/andreasrichter.berlin\/en\/february-2024\/\" class=\"more-link\">MORE &raquo;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[47],"tags":[],"class_list":["post-6063","post","type-post","status-publish","format-standard","hentry","category-dates"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=6063"}],"version-history":[{"count":9,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6063\/revisions"}],"predecessor-version":[{"id":7734,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/6063\/revisions\/7734"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=6063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=6063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=6063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}