{"id":5298,"date":"2022-02-08T17:32:34","date_gmt":"2022-02-08T16:32:34","guid":{"rendered":"https:\/\/andreasrichter.berlin\/europa-galante-lorfeo-in-the-elbphilharmonie\/"},"modified":"2024-05-16T17:05:38","modified_gmt":"2024-05-16T15:05:38","slug":"europa-galante-lorfeo-in-the-elbphilharmonie","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/europa-galante-lorfeo-in-the-elbphilharmonie\/","title":{"rendered":"EUROPA GALANTE \/\/ L&#8217;Orfeo in the Elbphilharmonie"},"content":{"rendered":"\n<p>Europa Galante and Fabio Biondi continue a personal Monteverdi tradition in Hamburg.<\/p>\n\n\n\n<p>In April 2019 they debuted at the Elbphilharmonie with Il Ritorno d&#8217;Ulisse in Patria (1641), now L&#8217;Orfeo (1607) follows. With the title role, Monteverdi created one of the most demanding vocal parts in the history of early opera, which is ideally cast here with the exceptional tenor Ian Bostridge. The orchestra is collaborating with the world-renowned RIAS Kammerchor for the first time on this occasion.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link\" href=\"https:\/\/berlin.us13.list-manage.com\/track\/click?u=e123c3e080345d9fb6c969a61&amp;id=afec2b5c4b&amp;e=fc8a55f132\" target=\"_blank\" rel=\"noreferrer noopener\">Elbphilharmonie Hamburg,\n16th of February 2022<\/a><\/div>\n\n\n\n<div class=\"wp-block-button has-custom-width wp-block-button__width-50 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link\" href=\"https:\/\/berlin.us13.list-manage.com\/track\/click?u=e123c3e080345d9fb6c969a61&amp;id=e122490964&amp;e=fc8a55f132\" target=\"_blank\" rel=\"noreferrer noopener\">Palau de la M\u00fasica,\nBarcelona, 18th of February 2022<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link\" href=\"https:\/\/berlin.us13.list-manage.com\/track\/click?u=e123c3e080345d9fb6c969a61&amp;id=00de0e1662&amp;e=fc8a55f132\" target=\"_blank\" rel=\"noreferrer noopener\">Auditorio Nacional de M\u00fasica,\nMadrid, 20th of February 2022<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link\" href=\"https:\/\/berlin.us13.list-manage.com\/track\/click?u=e123c3e080345d9fb6c969a61&amp;id=d4f6c4c2a5&amp;e=fc8a55f132\" target=\"_blank\" rel=\"noreferrer noopener\">Theater an der Wien,\n22th of February 2022<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Claudio Monteverdi: L&#8217;Orfeo &#8211; Favola in musica\nIan Bostridge (Orfeo) \/ Monica Piccinini (Euridice, La Musica) \/ Marina de Liso (Messagera, La Speranza) \/ RIAS Kammerchor \/ Europa Galante \/ Fabio Biondi (direction) a.o.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Europa Galante and Fabio Biondi continue a personal Monteverdi tradition in Hamburg.<a href=\"https:\/\/andreasrichter.berlin\/en\/europa-galante-lorfeo-in-the-elbphilharmonie\/\" class=\"more-link\">MORE &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":11479,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-news.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-5298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/5298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=5298"}],"version-history":[{"count":6,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/5298\/revisions"}],"predecessor-version":[{"id":11513,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/5298\/revisions\/11513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media\/11479"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=5298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=5298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=5298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}