{"id":16086,"date":"2026-06-28T12:42:13","date_gmt":"2026-06-28T10:42:13","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=16086"},"modified":"2026-06-28T13:51:32","modified_gmt":"2026-06-28T11:51:32","slug":"curtain-up-dance-performance-projects","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/curtain-up-dance-performance-projects\/","title":{"rendered":"Curtain Up \u2013 Dance &#038; Performance Projects"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Pushing beyond or dissolving boundaries, exploring new paths, and engaging in dialogue with other artistic disciplines \u2013 for many of our ensembles, their sphere of activity has long extended beyond music-making alone, not least because pressing social and political issues challenge the arts and their performing artists as well. Old and new narratives, woven into music ranging from the Baroque era to contemporary pop, alongside theatre, film, and light installations, invite audiences to immersive artistic experiences.<\/p>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">PROJECTS 2027\/28 &#8211; A SELECTION<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture_blue has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group downloads_files\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-9f58e141-b8db-46a9-a254-677609887b3d\" href=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/2728_Tanz-Szenische-Projekte.pdf\">&#8211;<\/a><a href=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/2728_Tanz-Szenische-Projekte.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-9f58e141-b8db-46a9-a254-677609887b3d\">Complete overview dance &amp; performance projects 2027\/28 (PDF)<\/a><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center anchor\" id=\"projekte\">BRYGGEN<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"intro wp-block-paragraph\">16 November \u2013 14 December 2027<br>16 January \u2013 22 February 2028 and on request<br><strong>MAX RICHTER: FOUR SEASONS RECOMPOSED WITH DANCE: FOUR SEASONS CHANGED<\/strong><br>BRYGGEN &#8211; Bruges Strings \/ Jolente De Maeyer, concept &amp; musical leader &amp; Solovioline \/ Michiel Vandevelde, Choreographer &amp; Konzept &amp; scene &amp; Licht \/ Amanda Barrio charmelo, danz \/ Milk of Lime, costumes<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\"><em>four seasons changed<\/em> is a reinterpretation of Max Richter\u2019s iconic work <em>Recomposed by Max Richter: Vivaldi \u2013 The Four Seasons<\/em>, conceived as a choreographed reflection on transformation as a powerful yet vulnerable form of life.<br><br>The string ensemble <a href=\"https:\/\/andreasrichter.berlin\/en\/bryggen-bruges-strings\/\">BRYGGEN<\/a> does not merely perform the music; throughout the entire piece, its musicians move in continuously evolving and endlessly varying patterns. Alongside them, a single dancer weaves through the ensemble, serving both as a counterpoint to the musicians and as a living embodiment of the composition\u2019s emotional architecture.<br><br><strong>M. Richter: The Four Seasons \u2013 Vivaldi Recomposed<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2024\/11\/trailer_horizontal_four-seasons-changed.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"quelle wp-block-paragraph\">Chief choreographer Michiel Vandevelde approaches dance history as a \u201cliving archive\u201d and connects each season to a formative choreographic tradition:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Spring:<\/strong> Inspired by Isadora Duncan.<\/li>\n\n\n\n<li><strong>Summer<\/strong>: Following Anna Halprin.<\/li>\n\n\n\n<li><strong>Autumn:<\/strong> A tribute to Pina Bausch<\/li>\n\n\n\n<li><strong>Winter:<\/strong> Guided by Trisha Brown<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center anchor\" id=\"presse\">FINNISH BAROQUE ORCHESTRA<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"intro wp-block-paragraph\">Dates upon request<br><strong>EARTHRISE <\/strong>La Chambre aux \u00e9chos \/ Aleksi Barri\u00e8re, text &amp; stage direction \/ Juha T. Koskinen, contemporary composition \/ Marianna Henriksson, musical direction &amp; baroque music montage \/ Anni Elif Egecioglu, vocals &amp; vocal improvisation \/ Thomas Kellner, acting \/ \u00c9tienne Exbrayat, lighting design \/ Lucia Schmidt, video design<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\"><em>Earthrise<\/em> is an interdisciplinary performance in which Baroque sounds and contemporary music engage in a close and dynamic dialogue. The <a href=\"https:\/\/andreasrichter.berlin\/en\/finnish-baroque-orchestra\/\">Finnish Baroque Orchestra<\/a> (FiBO) and the ensemble <em>La Chambre aux \u00e9chos<\/em> create a staged musical experience that explores the fragility of our planet and the future of humanity. Inspired by the lives of Johannes and Katharina Kepler, <em>Earthrise<\/em> combines seventeenth-century music with new, genre-crossing compositions by composer Juha T. Koskinen and vocal artist Anni Elif Egecioglu. At the heart of the production are two central figures\u2014an actor and a singer\u2014accompanied on stage by a seven-member Baroque ensemble performing on historical instruments. Through live looping (SOMA Cosmos Station) and subtle electronic amplification, the performance opens up new acoustic and emotional spaces.<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\"><strong>Works by<\/strong>&nbsp;<strong>K. Harant, P. de Monte, M. Praetorius, S. Scheidt, J. H. Schein, R. Weichlein, J. T. Koskinen, A.E. Egecioglu, J. T. Koskinen<\/strong><\/p>\n\n\n\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS6a2a98406ae00\" class=\"master-slider-parent msl ms-parent-id-131\" style=\"max-width:1200px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS6a2a98406ae00\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/FiBO_Earthrise_3_c_LaChambreauxechos.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\">Earthrise \u00a9 La Chambre aux e\u0301chos<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/FiBO_Earthrise_1_c_MinnaHatinen.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\">Earthrise \u00a9 Minna Hatinen<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/FiBO_Earthrise_2_c_MinnaHatinen.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info ms-info-empty\">&nbsp;<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t<!-- END MasterSlider Main -->\n\n\t\t\t \n\t\t<\/div>\n\t\t<!-- END MasterSlider -->\n\n\t\t<script>\n\t\t(function ( $ ) {\n\t\t\t\"use strict\";\n\n\t\t\t$(function () {\n\t\t\t\tvar masterslider_ae00 = new MasterSlider();\n\n\t\t\t\t\/\/ slider controls\n\t\t\t\tmasterslider_ae00.control('arrows'     ,{ autohide:false, overVideo:true  });\n\t\t\t\tmasterslider_ae00.control('slideinfo'  ,{ autohide:false, overVideo:true, dir:'h', align:'bottom',inset:false , margin:10   });\n\t\t\t\t\/\/ slider setup\n\t\t\t\tmasterslider_ae00.setup(\"MS6a2a98406ae00\", {\n\t\t\t\t\t\twidth           : 1200,\n\t\t\t\t\t\theight          : 800,\n\t\t\t\t\t\tminHeight       : 0,\n\t\t\t\t\t\tspace           : 0,\n\t\t\t\t\t\tstart           : 1,\n\t\t\t\t\t\tgrabCursor      : true,\n\t\t\t\t\t\tswipe           : true,\n\t\t\t\t\t\tmouse           : true,\n\t\t\t\t\t\tlayout          : \"boxed\",\n\t\t\t\t\t\twheel           : false,\n\t\t\t\t\t\tautoplay        : false,\n\t\t\t\t\t\tinstantStartLayers:false,\n\t\t\t\t\t\tloop            : false,\n\t\t\t\t\t\tshuffle         : false,\n\t\t\t\t\t\tpreload         : 0,\n\t\t\t\t\t\theightLimit     : true,\n\t\t\t\t\t\tautoHeight      : false,\n\t\t\t\t\t\tsmoothHeight    : true,\n\t\t\t\t\t\tendPause        : false,\n\t\t\t\t\t\toverPause       : true,\n\t\t\t\t\t\tfillMode        : \"fill\",\n\t\t\t\t\t\tcenterControls  : true,\n\t\t\t\t\t\tstartOnAppear   : false,\n\t\t\t\t\t\tlayersMode      : \"center\",\n\t\t\t\t\t\thideLayers      : false,\n\t\t\t\t\t\tfullscreenMargin: 0,\n\t\t\t\t\t\tspeed           : 20,\n\t\t\t\t\t\tdir             : \"h\",\n\t\t\t\t\t\tparallaxMode    : 'swipe',\n\t\t\t\t\t\tview            : \"basic\"\n\t\t\t\t});\n\n\t\t\t\t\n\t\t\t\twindow.masterslider_instances = window.masterslider_instances || [];\n\t\t\t\twindow.masterslider_instances.push( masterslider_ae00 );\n\t\t\t });\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center anchor\" id=\"video\">CONCERTO COPENHAGEN<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"intro wp-block-paragraph\">20 June &#8211; 20 July 2028<br><strong>KALEIDOSCOPE<\/strong><br>Kammerballetten \/ Emmanuel Frankenberg, musical direction \/ Sebastian Kloborg; Tobias Praetorius; Paul Lightfoot, choreography \/ Frederik Sk\u00e5lerud Hougs, lighting design<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\">In <em>Kaleidoscope<\/em>, the award-winning choreographers Sebastian Kloborg and Tobias Praetorius create new works inspired by the rich and vibrant sound world of Baroque music, exploring how the forms, contrasts, and emotions of the Baroque can be translated into contemporary movement. Each choreographer develops a distinct and independent piece.<br><br>Together with <a href=\"https:\/\/andreasrichter.berlin\/en\/concerto-copenhagen\/\">Concerto Copenhagen<\/a> and Kammerballetten, they reveal new dimensions of the music\u2014its depth, intricacy, and dramatic power\u2014shaped and intensified through the energy and presence of dance.<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\"><strong>Part 1: LiVE ON TAPE<\/strong> &#8211; Sebastian Kloborg, Choreography (2026)<br>Works by A. Vivaldi, H. Gu\u00f0nad\u00f3ttir &amp; A. Deller<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Part 2: SELF PORTRAIT<\/strong> &#8211; Paul Lightfoot, Choreography (2021)<br>Works by A. McKenzie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Part 3: (without title)<\/strong> &#8211; Tobias Praetorius, Choreography (2026)<br>Works by G. Muffat, H. I. F. Biber<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"789\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/Collage_coco_2_klein.jpg\" alt=\"\" class=\"wp-image-16076\" srcset=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/Collage_coco_2_klein.jpg 1200w, https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/06\/Collage_coco_2_klein-768x505.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center intro wp-block-paragraph\">\u201cLive On Tape is a declaration of love to live music \u2014 to its execution, emergence, and sharing.&#8221;<\/p>\n\n\n\n<p class=\"has-text-align-center quelle wp-block-paragraph\">Sebastian Kloborg, Choreograph<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center anchor\" id=\"downloads\">SIMONE MENEZES<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"intro wp-block-paragraph\">Dates upon request<br><strong>AMAZ\u00d4NIA &#8211;&nbsp;orchestral concert with photos by Sebasti\u00e3o Salgado<\/strong><br>Camila Provenzale, soprano \/ Simone Menezes, conductor<\/p>\n\n\n\n<p class=\"quelle wp-block-paragraph\">\u201cAn extraordinary experience\u201d\u2026 is how Feuilleton Frankfurt described a performance of the symphonic concert <strong><a href=\"https:\/\/andreasrichter.berlin\/en\/sebastiao-salgado-simone-menezes-amazonia\/\">Amaz\u00f4nia<\/a><\/strong> in September 2024, presented at the Alte Oper Frankfurt under the musical direction of <strong>Simone Menezes<\/strong> and featuring photographs by the world-renowned late photographer <strong>Sebasti\u00e3o Salgado<\/strong>. The programme celebrates the unique natural cosmos of the Amazon in all its facets, with compositions by Heitor Villa-Lobos and Philip Glass which, like Salgado\u2019s photographs, are directly inspired by this diverse, wild, and tragically endangered rainforest region. The Italian-Brazilian conductor Simone Menezes has presented this programme with various orchestras at venues and festivals including the Alte Oper Frankfurt, the Dresden Music Festival, and Gulbenkian M\u00fasica in Lisbon.<br><br><strong> H. Villa-Lobos: Excerps from Bachianas Brasileiras \/ P. Glass: \u00c1guas da Amaz\u00f4nia \u2013 Metamorphosis \/ H. Villa-Lobos: Floresta do Amazonas (arr. as orchestral suite by Simone Menezes)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group holder_video has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"video_container\">\r\n<div class=\"video_wrap\">\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_50HEBYi7jA?si=5C5kY9wqJyuH2WxN\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe>\r\n<\/div>\r\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center intro wp-block-paragraph\">\u201cStriking beauty, gentle evocation and romantic lushness, provided indelible memories.&#8221;<\/p>\n\n\n\n<p class=\"has-text-align-center quelle wp-block-paragraph\">The Guardian, 15 October 2021<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center anchor\" id=\"past\">Stanley Dodds &amp; ZeMu!<\/h2>\n\n\n\n<div class=\"wp-block-group rahmen rahmen_culture has-background\" style=\"background-color:#8798a4\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"intro wp-block-paragraph\">Dates upon request<br><strong>THE ONCE AND FUTURE\n<\/strong>Yeo Siew Hua, film director \/ Eugene Birman, composer \/ Anandi Bhattacharya (in collaboration with Microsoft Azure Computer Vision and Google Cloud API), vocal so-loist, librettist \/ ZeMu! Ensemble featuring members of the Berliner Philharmoniker, live performance 7- Stanley Dodds, conductor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <a href=\"https:\/\/andreasrichter.berlin\/en\/the-once-and-future\/\">The Once and Future<\/a>, an expanded cinema experience is created through combining hi-power laser tracking, cross-over vocal performance, and AI-assisted libretto, with the virtuosic artistry of the Berliner Philharmoniker members and a new film shot in 12K by acclaimed Singaporean director Yeo Siew Hua.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With the participation of the singer Anandi Bhattacharya, the composer Eugene Birman, the conductor Stanley Dodds, the director Yeo Siew Hua, and the ZeMu! Ensemble. The ZeMu! Ensemble is the latest ensemble emerging from the ranks of the world-famous Berliner Philharmoniker, dedicated to pursuing groundbreaking technology and crossover projects with new media in classical music. &#8216;The Once and Future&#8217; is its debut project.<\/p>\n\n\n\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS6859739865d1d\" class=\"master-slider-parent msl ms-parent-id-74\" style=\"max-width:1200px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS6859739865d1d\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2023\/11\/Slider-4.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info ms-info-empty\">&nbsp;<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div 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});\n\n\t\t})(jQuery);\n\t\t<\/script>\n\n\n\n\n\n<p class=\"has-text-align-center intro wp-block-paragraph\">&#8220;The most stunning and divisive work at the festival\u2026 Yeo Siew Hua\u2019s ambitious and multidisciplinary epic that features film, theatre, laser display\u2026 and Berliner Philharmoniker\u2019s gorgeous postmodern music.&#8221;<\/p>\n\n\n\n<p class=\"has-text-align-center quelle wp-block-paragraph\">Business Times (SG)<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pushing beyond or dissolving boundaries, exploring new paths, and engaging in dialogue with other artistic disciplines \u2013 for many of our ensembles, their sphere of activity has long extended beyond music-making alone, not least because pressing social and political issues challenge the arts and their performing artists as well. Old and new narratives, woven into [&hellip;]<a href=\"https:\/\/andreasrichter.berlin\/en\/curtain-up-dance-performance-projects\/\" class=\"more-link\">MORE &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":13017,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-ensembles.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31,50],"tags":[],"class_list":["post-16086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-special-projects-en","category-the-other-classics"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/16086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=16086"}],"version-history":[{"count":8,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/16086\/revisions"}],"predecessor-version":[{"id":16124,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/16086\/revisions\/16124"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media\/13017"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=16086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=16086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=16086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}