{"id":14981,"date":"2026-03-02T17:07:59","date_gmt":"2026-03-02T16:07:59","guid":{"rendered":"https:\/\/andreasrichter.berlin\/?p=14981"},"modified":"2026-03-02T21:55:58","modified_gmt":"2026-03-02T20:55:58","slug":"polyphonische-begegnungen-polyphonic-encounters-iv","status":"publish","type":"post","link":"https:\/\/andreasrichter.berlin\/en\/polyphonische-begegnungen-polyphonic-encounters-iv\/","title":{"rendered":"Polyphonische Begegnungen &#8211; Polyphonic Encounters IV"},"content":{"rendered":"\n<p>The <strong>Phantasm Viol Consort<\/strong> launched its own concert series in March 2025 at St Elisabeth Church in Berlin-Mitte. A total of four concerts are devoted entirely to polyphony, each focusing on a composer who was particularly distinguished in this compositional technique. In the fourth and final concert of the series, Phantasm presents five- and six-part consorts by the relatively little-known composer <strong>William Lawes<\/strong> (1602\u20131645).<br><br>Following the concert, guests are invited to a reception at the bar!<br><br><em>\u201cNo matter how much one engages with historical models and sources, nothing prepares you for the originality and daring of William Lawes\u2019s consort pieces,\u201d<\/em> says <strong>Laurence Dreyfus<\/strong>, founder and musical director of Phantasm. A foretaste is offered by the ensemble\u2019s two Lawes recordings from 2001 and 2002:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" data-id=\"14972\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/03\/lawes-consorts-in-six-parts-ccs17498-20220925222550-front-e1772466131293.jpg\" alt=\"\" class=\"wp-image-14972\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" data-id=\"14970\" src=\"https:\/\/andreasrichter.berlin\/wp-content\/uploads\/2026\/03\/lawes-consorts-in-four-and-five-parts-ccs15698-20220924222601-front-e1772466047954.jpg\" alt=\"\" class=\"wp-image-14970\"\/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>&#8220;Connoisseurs of consort playing can&#8217;t help but be struck by the greater impact of the music from Dreyfus and his colleagues: Phantasm is truly in a class of its own.&#8221;\r\n(Gramophone Magazin, 2002)<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>&#8220;The viol players of Phantasm succeed in creating an impression of ceaseless new melodies and new beginnings, and the result never stops seducing the ear.&#8221;<\/em><br><em>(Diapason, 2000)<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><strong>POLYPHONISCHE BEGEGNUNGEN \u2013 POLYPHONIC ENCOUNTER<\/strong><br><strong>Concert IV \u2013 <em>William Laws, Exceptional Eccentric<\/em><\/strong><br><em><strong>Five- and Six-Part Consorts<\/strong><\/em><br>Sunday, 8 March 2026, 5:00 p.m. St. Elisabeth<br><strong>Laurence Dreyfus, treble viol and musical leader \/ Emilia Benjamin, treble viol \/ Jonathan Manson, tenor viol \/ Heidi Gr\u00f6ger, tenor viol \/ Markku Luolajan-Mikkola, bass viol \/ Martin Jantzen, bass viol<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-luminous-vivid-amber-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/www.eventim-light.com\/de\/a\/6491a2b4ca5daa281eceba85\/e\/677fb2ee72b2c57f0f7c083a\" style=\"border-radius:0px\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>TICKETS 8 MARCH 2026<\/strong><\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Phantasm Viol Consort celebrates William Lawes in Berlin.<br \/>\n<a href=\"https:\/\/andreasrichter.berlin\/en\/polyphonische-begegnungen-polyphonic-encounters-iv\/\" class=\"more-link\">MORE &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":14328,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-news.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-14981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/14981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/comments?post=14981"}],"version-history":[{"count":4,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/14981\/revisions"}],"predecessor-version":[{"id":14986,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/posts\/14981\/revisions\/14986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media\/14328"}],"wp:attachment":[{"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/media?parent=14981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/categories?post=14981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreasrichter.berlin\/en\/wp-json\/wp\/v2\/tags?post=14981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}